I had, of course, painted his portrait full face, and as the Coreans have the strange notion of wearing their decorations in the shape of a small button of jade, gold, silver or amber, behind the left ear, these did not appear thereon. I then tried to remonstrate, saying that it was impossible in European art to accomplish such a feat as to show both front and back at once, but, as he seemed distressed at what to him seemed a defect, I made him sit again, and compromised the matter by making another large but rapid sketch of him from a side point of view, so as to include the decoration and the rest rather magnified in size. It is from this portrait that the illustration is taken; for I corrected it as soon as he was out of sight. But with this second portrait my Corean sitter was more grieved than ever, for, he remarked, now he could see the decoration, but not his other eye! These difficulties having, with the exercise of a good deal of patience and time, been finally overcome by my proving to him that one cannot see through things that are not transparent, we were entertained by General Le Gendre to an excellent lunch, during which toasts to the health of everybody under the sun were drunk in numberless bottles of champagne. Then he began to wax quite enthusiastic about his likeness. He called in his officers and followers; by this time, of course, he had got into his mourning clothes again, and donned his semi-spherical crane-surmounted hat; and they all showed great admiration of the work, although many went round, as he had done, to look at the backs of the two canvases to find "the eye," or the other missing "button." He wanted to purchase both pictures there and then, but I declined, saying that I would be pleased to present him with a smaller copy when completed. With this promise he departed happy.