Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
There is neither splendor nor taste in the carnival: its universal
tumult assimilates it in the fancy with the bacchanalian orgies; but
in the fancy only; for the Romans are generally sober and serious
enough--the last days of this fête excepted. The one makes such varied
and sudden discoveries in their character, as have contributed to
give them a reputation for cunning. Doubtless, there is a great habit
of feigning among people who have borne so many yokes; but we must
not always attribute their rapid changes of manner to dissimulation.
Inflammable imagination is as oft its cause. Reasoners may readily
foresee their own actions; but all that belongs to fancy is unexpected:
she overleaps gradations; a trifle may wound her, or that which ought
to move her most be past by with indifference; she's her own world,
and in it there is no calculating effects by causes. For instance,
we wonder what entertainment the Roman nobles find in driving from
one end of the Corso to the other for hours together, every day in
the year, yet nothing breaks in on this custom. Among the masks, too,
may be found wandering victims to ennui, packed up in the drollest of
dresses, sad harlequins, and silent clowns, who satisfy their carnival
conscience by merely seeking to divert themselves. In Rome, they have
one assumption that nowhere else exists--maskers, who, in their own
persons, copy the antique statues, and from a distance perfectly
realize their beauty. Many of the women are losers by renouncing this
disguise. Nevertheless, to behold life imitating motionless marble,
however gracefully, strikes one with fear. The carriages of the great
and gay throng the streets; but the charm of these festivities is
their saturnalian confusion: all classes are mingled; the gravest
magistrates ride among the masks with almost official assiduity. All
the windows are decorated, and all the world out of doors: the pleasure
of the populace consists not in their spectacles nor their feasts; they
commit no excess, but revel solely in the delight of mixing freely
with their betters, who, on their parts, are as diverted at finding
themselves thrown among those beneath them. Only the refined and
delicate pleasures that spring from research and education can build
up barriers between different ranks. Italy, as hath been said, is more
distinguished by universal talent than by its cultivation among the
aristocracy. Therefore, during the carnival, all minds and all manners
blend: the shouting crowds, that indiscriminately shower their bonbons
on the passers-by, confound the whole nation pell-mell, as if no
social order remained. Corinne and Nevil arrived in the midst of this
uproar: at first it stunned them; for nothing appears stranger than
such activity of noisy enjoyment, while the soul is pensively retired
within herself. They stopped in the Piazza del Popolo, to ascend the
amphitheatre near the obelisk, thence to overlook the horse-racing: as
Public-domain text, read in full here on John Shaqi.
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