Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
says Metastasio. It is, indeed, a grief no more to look upon the
scenes of childhood: the charm of their memory renews our youth, yet
sweetens the thought of death. The tomb and cradle there repose in the
same shade; while the years spent beneath stranger skies seem like
branches without roots. The generation which preceded yours remembers
not your birth; it is not the generation of _your_ sires: a host of
mutual interests exist between you and your countrymen, which cannot be
understood by foreigners, to whom you must explain everything, instead
of finding the initiated ease that bids your thoughts flow forth secure
the moment you meet a compatriot. I could not remember without emotion,
such amiable expressions as '_Cara, Carissima_.' I repeated them as I
walked alone, in imitation of the kindly welcomes so contrasted with
the greetings I now received. Every day I wandered into the fields.
Of an evening, in Italy, I had been wont to hear rich music; but now
the cawing of rooks alone resounded beneath the clouds. The fruits
could scarcely ripen. I saw no vines: the languid flowers succeeded
each other slowly; black pines covered the hills: an antique edifice,
or even one fine picture, would have been a relief for which I should
have sought thirty miles round in vain.[1] All was dull and sullen: the
houses and their inhabitants served but to rob solitude of its poetic
horrors. There was enough of commerce and of agriculture near for
them to say: 'You ought to be content, you want for nothing.' Stupid,
superficial judgment! The hearth of happiness or suffering is in our
own breast's secret sanctuary. At twenty-one, I had a right to my
mother's fortune, and whatever my father had left me. Then did I first
dream of returning to Italy, and devoting my life to the arts. This
project so inebriated me with joy, that, at first, I could anticipate
no objections; yet, as my feverish hope subsided, I feared to take an
irreparable resolve, and thought on what my acquaintance might say,
to a plan which, from appearing perfectly easy, now seemed utterly
impracticable; yet the image of a life in the midst of antiquities and
arts was detailed before my mind's eye with so many charms, that I felt
a fresh disgust at my tiresome existence. My talent, which I had feared
to lose, had increased by my constant study of English literature.
The depth of thought and feeling which characterizes your poets had
strengthened my mind without impairing my fancy. I therefore possessed
the advantages of a double education and twofold nationalities. I
remembered the approbation paid by a few good critics in Florence to my
first poetical essays, and prided in the added success I might obtain;
in sooth, I had great hopes of myself. And is not such the first, the
noblest illusion of youth? Methought that I should be mistress of the
universe, the moment I escaped the withering breath of vulgar malice;
but when I thought of flying in secret, I felt awed by that opinion
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