Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
here as well as I.' These mental leaps towards liberty gave me not yet
sufficient power for a decided aim. There are moments when we trust the
force of our own wishes; others, in which the habitual order of things
assumes a right to overrule all the sentiments of the soul. I was in a
state of indecision which might have lasted forever, as nothing obliged
me to take an active part; but on the Sunday following my conversation
with Lady Edgarmond, I heard, towards evening, beneath my window, some
Italians singing: they belonged to the ship from Leghorn. Thérésina had
brought them to give me this agreeable surprise. I cannot express what
I felt: a torrent of tears deluged my cheeks. All my recollections were
revived: nothing recalls the past like music: it does more than depict,
it conjures it back, like some beloved shape, veiled in mysterious
melancholy. The musicians sung the delicious verses composed by Monti
in his exile:----
"'Bella Italia! amate sponde!
Pur vi torno, a riveder,
Trema in petto, e si confonde,
L'alma oppressa dal piacer!'
"'Beauteous Italia! beloved ever!
Shall I behold thy shore again?
Trembling--bewildered--my bonds I sever--
Pleasure oppresses my heart and brain.'"
In a kind of delirium, I felt for Italy all love can make one
feel--desire, enthusiasm, regret. I was no longer mistress of myself;
my whole soul was drawn towards my country: I yearned to see it, hear
it, taste its breath; each throb of my heart was a call to my own
smiling land. Were life offered to the dead, they would not dash aside
the stone that kept them in the tomb with more impatience than I felt
to rush from all the gloom around me, and once more take possession of
my fancy, my genius, and of nature. Yet, at that moment, my sensations
were too confused for me to frame one settled idea. My step-mother
entered my room, and begged that I would order them to cease singing,
as it was scandalous on the Sabbath. I insisted that they were to
embark on the morrow, and that it was six years since I had enjoyed
such a pleasure. She would not hear me; but said that it behooved us,
above all things, to respect the customs of the place in which we
lived; then, from the window, bade her servants send my poor countrymen
away. They departed, singing me, as they went, an adieu that pierced
me to the heart. The measure of my temptation was full. Thérésina, at
all hazards, had, unknown to me, made every preparation for my flight.
Lucy had been away a week with a relative of her mother. The ashes of
my father did not repose in the country-house we inhabited: he had
ordered his tomb to be erected on his Scotch estate.[2] Enough: I set
forth without warning my step-mother, but left a letter, apprising
her of my plans. I started in one of those moments at which we give
ourselves up to destiny, when anything appears preferable to servitude
and insipidity; when youth inconsiderately trusts the future, and sees
Public-domain text, read in full here on John Shaqi.
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