Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
It was agreed that Neville and Corinne should visit Venice. They had
relapsed into silence on their future prospects, but spoke of their
affection more confidingly than ever: both avoided all topics that
could disturb their present mutual peace. A day passed with _him_ was
to _her_ such enjoyment! he seemed so to revel in her conversation;
he followed her every impulse; studied her slightest wish, with so
sustained an interest, that it appeared impossible he could bestow so
much felicity without himself being happy. Corinne drew assurances of
safety from the bliss she tasted. After some months of such habits we
believe them inseparable from our existence. Her agitation was calmed
again, and her natural heedlessness of the future returned. Yet, on
the eve of quitting Rome, she became extremely melancholy: this time
she both hoped and feared that it was forever. The night before her
departure, unable to sleep, she heard a troop of Romans singing in
the moonlight. She could not resist her desire to follow them, and
once more wander through that beloved scene. She dressed; and bidding
her servants keep the carriage within sight of her, put on a veil, to
avoid recognition, and at some distance, pursued the musicians. They
paused on the bridge of St. Angelo, in front of Adrian's tomb: in such
a spot music seems to express the vanities and splendors of the world.
One might fancy one beheld in the air the imperial shade wondering to
find no other trace left of his power on earth except a tomb. The band
continued their walk, singing as they went, to the silent night, when
the happy ought to sleep: their pure and gentle melodies seem designed
to solace wakeful suffering. Drawn onward by this resistless spell,
Corinne, insensible to fatigue, seemed winging her way along. They also
sang before Antoninus's pillar, and then at Trajan's column: they
saluted the obelisk of St. John Lateran. The ideal language of music
worthily mates the ideal expression of works like these: enthusiasm
reigns alone, while vulgar interests slumber. At last the singers
departed, and left Corinne near the Coliseum: she wished to enter its
inclosure and bid adieu to ancient Rome.
Those who have seen this place but by day cannot judge of the
impression it may make. The sun of Italy should shine on festivals; but
the moon is the light for ruins. Sometimes, through the openings of the
amphitheatre, which seems towering to the clouds, a portion of heaven's
vault appears like a dark blue curtain. The plants that cling to the
broken walls all wear the hues of night. The soul at once shudders and
melts on finding itself alone with nature. One side of this edifice is
much more fallen than the other; the two contemporaries make an unequal
struggle against time. He fells the weakest; the other still resists,
but soon must yield.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account