Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
It was now November; yet Corinne arose enchanted with her prospects.
For the first act she chose a very picturesque costume: her hair,
though dishevelled, was arranged with an evident design of pleasing;
her light, fantastic garb gave her noble form a most mischievously
attractive air. She reached the palace where she was to play. Every
one but Oswald had arrived. She deferred the performance as long as
possible, and began to be uneasy at his absence; when she came on the
stage, however, she perceived him, though he sat in a remote part of
the hall, and the pain of having waited redoubled her joy. She was
inspired by gayety as she had been at the Capitol by enthusiasm.
This drama blends song with speech, and even gives opportunities for
extempore dialogue, of which Corinne availed herself to render the
scene more animated. She sung the _buffa_ airs with peculiar elegance.
Her gestures were at once comic and dignified. She extorted laughter,
without ceasing to be imposing. Her talents, like her part, queened
it over actors and spectators, pleasantly bantering both parties. Ah!
who would not have wept over such a sight, could they have known that
this bright armor but drew down the lightning, that this triumphant
mirth would soon give place to bitter desolation? The applause was so
continual, so judicious, that the rapture of the audience infected
Corinne with that kind of delirium which pours a lethe over the past,
and bids the future seem unclouded. Oswald had seen her represent the
deepest woe, at a time when he still hoped to make her happy; he now
beheld her breathing stainless joy, just as he had received tidings
that might prove fatal to them both. Oft did he wish to take her
from this scene of daring happiness, yet felt a sad pleasure in once
more beholding that lovely countenance bedecked in smiles. At the
conclusion, she appeared arrayed as an Amazonian queen, commanding men,
almost the elements, by that reliance on her charms which beauty may
preserve, unless she loves; then, then, no gift of nature or of fortune
can reassure her spirit; but this crowned flirt, this fairy queen,
miraculously blending rage with wit, carelessness with ambition, and
conceit with despotism, seemed to rule over fate as over hearts; and
when she ascended her throne she exacted the submission of her subjects
with a smile, arch as it was arrogant. This was, perhaps, the moment
of her life, from which both grief and fear seemed furthest banished;
when suddenly she saw her lover bow his face on his hands to hide
his tears. She trembled, and the curtain had not quite fallen, when,
leaving her already hated throne, she rushed into the next apartment.
Thither he followed her; and when she marked his paleness, she was
seized with such alarm that she was forced to lean against the wall
for support. "Oswald," she said, "my God! what has happened?"--"I must
start for England to-night," he said, forgetting that he ought not
Public-domain text, read in full here on John Shaqi.
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