Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
The martial instruments recalled to her mind the perils he must brave
so soon. Unseen by him she gazed through her tears, sighing: "Oh, may
he live, though it be not for me! My God! it is Oswald only I implore
thee to preserve!" At this moment Lady Edgarmond's carriage drove up.
Nevil bowed respectfully, and lowered the point of his sword. No one
who looked on Lucy but admired her: Oswald's glances pierced the heart
of Corinne: she knew their meaning well, for such had once been bent on
her. The horses he had lent to Lady Edgarmond passed to and fro with
exquisite speed, while the equipage of Corinne was drawn after these
flying coursers almost as slowly as a hearse. "It was not thus," she
thought, "that I approached the Capitol: no; he has dashed me from my
car of triumph into an abyss of misery. I love him, and the joys of
life are lost. I love him, and the gifts of nature fade. Pardon him,
O my God! when I am gone." Oswald was now close to her vehicle. The
Italian dress caught his eye, and he rode round, in hopes of beholding
the face of this unknown. Her heart beat violently; and all her fear
was that she should faint and be discovered; but she restrained her
feelings; and Lord Nevil relinquished the idea which beset him. When
the review was over, to avoid again attracting his attention, she
alighted, and retired behind the trees, so as not to be observed.
Oswald then went up to Lady Edgarmond, and showed her a very gentle
horse, which his servants had brought hither for Lucy: her mother bade
him be very careful of her. He dismounted, and, hat in hand, conversed
through the carriage door with so feeling an expression, that Corinne
could attribute this regard for the mother to nothing less than an
attachment for the daughter. Lucy left the carriage: a riding habit
charmingly defined the elegant outline of her figure: she wore a black
hat with white plumes--her fair silken locks floating airily about her
smiling face. Oswald placed his hand as her step: she had expected this
service from a domestic, and blushed at receiving it from him; but he
insisted, and at last, she set her little foot in his hand, then sprung
so lightly to her saddle, that she seemed one of those sylphid shapes
which fancy paints in colors so delicate. _She set off at a gallop._
Oswald followed, never losing sight of her: once the horse made a
false step: he instantly checked it, examining the bit and bridle with
the most kind solicitude. Shortly afterwards the animal ran away.
Oswald turned pale as death, spurring his own steed to an incredible
fleetness; in a second he overtook that of Lucy, leaped from his seat,
and threw himself before her. She shuddered in her turn lest she should
harm him; but with one hand he seized her rein, supporting her with the
other, as she gently leaned against him.
Public-domain text, read in full here on John Shaqi.
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