Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
together!"--"How beautiful it was," thought Lucy, "while Corinne shared
it with you!" A humid fog, such as oft arises in so well-watered a
land, obscured their view of the country. During the night they heard
the deluge of southern rain fall on, nay, through the roof, as if water
was pursuing them with all the avidity of fire. Lucy sought in vain for
the charm of Italy: it seemed that everything conspired to veil it in
gloom for Oswald and herself.
[1] Madame de Staël gave Lucy, at three years of age, hair long enough
to make a bracelet. She was thinking of French children. The formal
Edgarmonds were not more likely to deviate from the English fashion
than to christen Nevil's daughter Juliette.--TR.
CHAPTER VI.
Since Lord Nevil had been in Italy, he had not spoken a word of the
language; it even made him ill to hear it. On the evening of his
arrival at Milan, he heard a tap at the door, which was followed by
the entrance of a man, whose dark and prominent face would have been
expressive, if animated by natural enthusiasm: it wore an unvaryingly
gracious smile, and a look that strove to be poetical. He stood at
the door, improvising verses in praise of the group before him, but
such as might have suited any other husband, wife, or child, just as
truly; and so exaggerated, that the speaker seemed to think poetry
_ought_ to have no connection with truth. Oswald perceived that he was
a Roman; yet, harmonious as were the sounds he uttered, the vehemence
of his declamation served but to indicate more plainly the unmeaning
insipidity of all he said. Nothing could be more painful for Oswald
than to hear the Roman tongue thus spoken, for the first time after so
long an interval; to see his dearest memories travestied, and feel his
melancholy renewed by an object so ridiculous. Lucy guessed all this,
and would have dismissed the improvisatore; but it was impossible to
make him hear her: he paced the chamber all gesture and exclamation,
heedless of the disgust he dealt his hearers, proceeding like a machine
that could not stop till after a certain moment. At last that time
arrived and Lucy paid him to depart. "Poetic language," said Oswald,
"is so easily parodied here, that it ought to be forbidden all save
those who are worthy to employ it."--"True," observed Lucy, perhaps a
little too pointedly: "it is very disagreeable to be reminded of what
you admire, by such a burlesque as we have just endured."--"Not so,"
he answered; "the contrast only makes me more deeply feel the power
of genius. This same language, which may be so miserably degraded,
became celestial poetry from the lips of Corinne--_your sister_." Lucy
felt overwhelmed; he had not pronounced that _name_ to her before; the
addition of _your sister_ sounded as if conveying a reproach. She was
half suffocated; and had she given way to her tears, this moment might
have proved the sweetest in her life; but she restrained them, and the
Public-domain text, read in full here on John Shaqi.
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