Corinne; or, ItalyStaël, Madame de (Anne-Louise-Germaine)
History
Corinne; or, Italy
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
There is a part of the Neapolitan dance where the heroine kneels, while
the hero marches round her, like a conqueror. How dignified looked
Corinne at that moment! What a sovereign she was on her knees! and when
she rose, clashing her airy tambourine, she appeared animated by such
enthusiasm of youthful beauty, that one might have thought she needed
no life but her own to make her happy. Alas, it was not thus! though
Oswald feared it, and sighed as if her every success separated her
farther from him. When the Prince, in his turn knelt to Corinne, she,
if possible, surpassed herself. Twice or thrice she fled round him, her
sandalled feet skimming the floor with the speed of lightning; and when
shaking her tambourine above his head with one hand, she signed with
the other for him to rise, every man present was tempted to prostrate
himself before her, except Lord Nevil, who drew back some paces, and
d'Erfeuil, who made a step or two forwards, in order to compliment
Corinne. The Italians gave way to what they felt, without one fear of
making themselves remarkable. They were not like men so accustomed to
society, and the self-love which it excites, as to think on the effect
they might produce; they are never to be turned from their pleasures by
vanity, nor from their purposes by applause.
Corinne, charmed with the result of her attempt, thanked her friends
with amiable simplicity. She was satisfied, and permitted her content
to be seen, with childlike candor; her greatest desire was to get
through the crowd to the door, against which Oswald was leaning. She
reached it at last, and paused for him to speak. "Corinne," he said,
endeavoring to conceal both his delight and his distress, "you have
extorted universal homage: but is there, among all your adorers, one
brave, one trusty friend; one protector for life? or can the clamors of
flattery suffice a soul like yours?"
[1] The dancing of Madame Récamier gave me the idea which I endeavored
to express. This celebrated beauty, in the midst of afflictions,
displayed so touching a resignation, so total a forgetfulness of self,
that her moral qualities seem as extraordinary as her personal grace.
CHAPTER II.
Public-domain text, read in full here on John Shaqi.
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