Corinne; Or, Italy. Volume 1 (of 2)Staël, Madame de (Anne-Louise-Germaine)
History
Corinne; Or, Italy. Volume 1 (of 2)
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
"It is not from sincerity that this kind of frankness proceeds," replied
Oswald, "but from indifference to public opinion. When I arrived here, I
had a letter of recommendation to a princess, which I gave to my Italian
servant to deliver; he said to me, '_Sir, it will be of no use to
deliver this letter now, for the princess sees nobody; she is_
INAMORATA;' and this state of being _in love_, is announced with as much
indifference as any other situation incidental to our existence. This
publicity cannot be palliated by the plea of extraordinary vehemence of
passion; several attachments of this sort succeed each other, and are of
equal notoriety. So little are women given to mystery in this respect,
that they avow their connections with less embarrassment than those of
our country would feel in speaking of their husbands. It is easy to
believe that no profound or delicate sentiment is mixed with this
sensibility of passion, divested of modesty. Hence it happens that in
this nation, where nothing is thought of but love, there is not a single
romance; because love is here so rapid and so public that it affords no
interesting developments; and to give a true picture of general manners
in this respect, it would be necessary to begin and terminate it in the
first page. Pardon me, Corinne," cried Lord Nelville, observing the pain
that he gave her; "you are an Italian, and that thought ought to disarm
me; but one of the causes of that incomparable grace which distinguishes
you, is the union of all the characteristic charms of different nations.
I know not in what country you have been brought up; but it appears to
me certain, that you have not passed your whole life in Italy--perhaps
in England itself--Ah, Corinne! if that were so, how could you have
quitted that sanctuary of modesty and delicacy, for these regions,
where not only virtue, but love itself, is so badly understood? It is
breathed in the air; but does it penetrate the heart? Your poetry, in
which love performs so principal a part, possesses considerable grace,
and much imagination; it is ornamented with brilliant pictures, whose
colours are lively and voluptuous. But where will you find that tender,
melancholy sentiment, which animates our poetry? What have you that can
be put in comparison with the scene between Belvidera and her husband,
in OTWAY; or with that in SHAKESPEARE, between Romeo and Juliet? But
above all, what have you to compare with those admirable lines of
THOMSON, in his 'Spring,' where he paints in such noble and affecting
traits, the happiness of love, when sanctioned by marriage? Have you any
such marriage in Italy? And can love exist where there is no domestic
felicity? Is it not this happiness which the heart seeks, as possession
is the object of sensual passion? Do not all young and beautiful women
resemble each other, unless the qualities of the mind and soul determine
a preference? And what desire is excited by all these qualities?
Marriage.
Public-domain text, read in full here on John Shaqi.
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