Corinne; Or, Italy. Volume 1 (of 2)Staël, Madame de (Anne-Louise-Germaine)
History
Corinne; Or, Italy. Volume 1 (of 2)
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
variety of different kinds of poetry, and with all the divers theatrical
attractions which the English and the Spaniards enjoy.
"The Aristodemus of Monti has in it something of the terrible pathos of
Dante; and surely this tragedy is very justly one of the most admired.
Dante, that great master of various powers, possessed that kind of
tragic genius which would have produced the most effect in Italy, if it
could in any way be adapted to the stage; for that poet knew how to
represent to the eye, what was passing at the bottom of the soul, and
his imagination could make grief seen and felt. If Dante had written
tragedies, they would have been as striking to children as to men, to
the illiterate crowd as to the polished few. Dramatic literature ought
to be popular; like some public event, the whole nation ought to judge
of it."
"When Dante was living," said Oswald, "the Italians performed a
distinguished part in the political drama of Europe. Perhaps it would
now be impossible for you to have a national tragic theatre: it would be
necessary for the existence of such a theatre, that great events should
develop in life those sentiments which are expressed upon the stage. Of
all the masterpieces of literature, there is not one which depends so
much upon the whole people as tragedy; the spectators contribute to it
as much as the author. Dramatic genius is composed of the public mind,
of History, of government, of national customs, of everything, in fact,
which each day blends itself with thought, and forms the moral being, as
the air which we breathe nourishes physical existence. The Spaniards,
with whom you have some affinity as to climate and religion, are much
superior to you in dramatic genius; their pieces are filled with their
history, their chivalry, and their religious faith, and these pieces
possess life and originality; but their success, in this respect, dates
back to the epoch of their historical glory. How then could it be
possible now to establish in Italy, that which it never could boast
of--a genuine tragic drama!"
Public-domain text, read in full here on John Shaqi.
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