Corinne; Or, Italy. Volume 1 (of 2)Staël, Madame de (Anne-Louise-Germaine)
History
Corinne; Or, Italy. Volume 1 (of 2)
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
"In truth, fair Montague, I am too fond;
And therefore thou may'st think my 'haviour light;
But trust me, gentleman, I'll prove more true
Than those that have more cunning to be strange.
* * * * *
* * * * *
* * * * * therefore pardon me."
At these words--"Pardon me! Pardon me for loving; pardon me for having
let you know it!"--There was in Corinne's look, so tender a prayer and
so much respect for her lover, so much exultation in her choice, when
she said, "Noble Romeo! Fair Montague!" that Oswald felt as proud as he
was happy. He raised his head, which tenderness had bowed down, and
fancied himself the king of the world, since he reigned over a heart
which contained all the treasures of life.
Corinne, perceiving the effect which she produced upon Oswald, became
more and more animated by that emotion of the heart which alone produces
miracles; and when at the approach of day, Juliet thought she heard the
song of the lark--a signal for the departure of Romeo, the accents of
Corinne possessed a supernatural charm: they described love, and
nevertheless one might perceive that there was something of religious
mystery in them, some recollections of heaven, with a presage that she
was shortly to return thither; a kind of celestial melancholy, as of a
soul exiled upon earth, but which was soon to be called to its divine
home. Ah! how happy was Corinne the day that she represented the part of
a noble character in a beautiful tragedy before the lover of her choice;
how many years, how many lives would appear dull, compared to such a
day!
If Lord Nelville could have performed, with Corinne, the part of Romeo,
the pleasure which she would have tasted would not have been so
complete. She would have desired to put aside the verses of the greatest
poet in order to speak the dictates of her own heart; perhaps even her
genius would have been confined by insurmountable timidity; she would
not have dared to look at Oswald for fear of betraying herself, and
truth would have destroyed the charm of art; but how sweet it was to
know that he whom she loved was present when she experienced those
exalted sentiments which poetry alone can inspire; when she felt all the
charm of tender emotions, without their real pain; when the affection
she expressed was neither personal nor abstract; and when she seemed to
say to Lord Nelville, "See how I am able to love."
Public-domain text, read in full here on John Shaqi.
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