Corinne; Or, Italy. Volume 1 (of 2)Staël, Madame de (Anne-Louise-Germaine)
History
Corinne; Or, Italy. Volume 1 (of 2)
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
The ceremonies of Holy Week at Rome have been much spoken of. Foreigners
come thither during Lent expressly to enjoy this spectacle; and as the
music of the Sixtine Chapel and the illumination of St Peter's are
beauties unique in themselves, it is natural that they should excite a
lively curiosity; but expectation is not equally satisfied. The
ceremonies themselves, properly speaking--the dinner of the twelve
Apostles, served by the Pope, the washing of the feet by him, and all
the different customs of this solemn season--excite very moving
recollections; but a thousand inevitable circumstances often injure the
interest and the dignity of this spectacle. All those who assist at it
are not equally devout, equally occupied with pious ideas. These
ceremonies, so often repeated, have become a sort of mechanical exercise
for most people, and the young priests despatch the service of great
festivals with an activity and a dexterity little calculated to produce
any religious effect. That indefinite, that unknown, that mysterious
impression, which religion ought to excite, is entirely destroyed by
that species of attention which we cannot help paying to the manner in
which each acquits himself of his functions. The avidity of some for the
meats presented them, and the indifference of others in the
genuflections which they multiply and the prayers which they recite,
often strip the festival of its solemnity.
The ancient costumes which still serve for the vestments of the priests,
agree badly with the modern style of treating the hair. The Greek
bishop, with his long beard, has the most respectable appearance. The
ancient custom also of making a reverence after the manner of women,
instead of bowing as men do now, produces an impression by no means
serious. In a word, the _ensemble_ is not in harmony, and the ancient is
blended with the modern without sufficient care being taken to strike
the imagination, or at least to avoid all that may distract it. A
worship, dazzling and majestic in its external forms, is certainly
calculated to fill the soul with the most elevated sentiments; but care
must be taken that the ceremonies do not degenerate into a spectacle in
which each one plays his part--in which each one studies what he must do
at such a moment; when he is to pray, when he is to finish his prayer;
when to kneel down, and when to get up. The regulated ceremonies of a
court introduced into a temple of devotion, confine the free movement of
the heart, which can alone give man the hope of drawing near to the
Deity.
Public-domain text, read in full here on John Shaqi.
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