Corinne; Or, Italy. Volume 1 (of 2)Staël, Madame de (Anne-Louise-Germaine)
History
Corinne; Or, Italy. Volume 1 (of 2)
Staël, Madame de (Anne-Louise-Germaine)
Italy -- History -- 1789-1815 -- Fiction; Nobility -- Scotland -- Fiction; Women poets -- Fiction
Oswald did not indulge in that admiration which Corinne felt in
contemplating these four galleries; these four edifices, rising one
upon another; this medley of pomp and barbarism, which at once inspires
respect and compassion. He beheld in these scenes nothing but the luxury
of the master, and the blood of the slaves, and felt indignant at the
arts which, regardless of their aim, lavish their gifts upon whatever
object they may be destined for. Corinne endeavoured to combat this
disposition:--"Do not," said she, to Lord Nelville, "carry the rigour of
your principles of morality and justice into the contemplation of the
Italian monuments; they, for the most part, recall, as I have told you,
rather the splendour, the elegance of taste of ancient forms, than the
glorious epoch of Roman virtue. But do you not find some traces of the
moral greatness possessed by the first ages, in the gigantic luxury of
the monuments which have succeeded them? Even the degradation of the
Roman people still commands respect: the mourning of her liberty covers
the world with wonders, and the genius of ideal beauty seeks to console
man for the true and real dignity which he has lost. Behold those
immense baths, open to all those who were willing to taste oriental
voluptuousness--those circuses destined for the elephants which were
brought there to combat with tigers, and those aqueducts which in a
moment converted the amphitheatre into a lake, where galleys too fought
in their turn, and crocodiles appeared where lions were seen
before:--such was the luxury of the Romans when luxury was their pride!
Those obelisks which were brought from Egypt, stolen from African
shades, in order to adorn the Roman sepulchres; that population of
statues which formerly existed in Rome cannot be looked upon in the same
light as the useless pageantry of the Asiatic despots: it is the Roman
genius which conquered the world, and to which the arts have given an
external form. There is something supernatural in this magnificence,
and its poetical splendour makes us forget its origin and its aim."
Public-domain text, read in full here on John Shaqi.
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