Cornish Characters and Strange EventsBaring-Gould, S. (Sabine)
History
Cornish Characters and Strange Events
Baring-Gould, S. (Sabine)
Cornwall (England : County) -- Biography; Cornwall (England : County) -- History; Legends -- England -- Cornwall (County)
From Altarnon he went to Fowey, and the late Sir Charles Lemon, of
Carclew, took him by the hand. At the age of sixteen he carved in
slate the group of Laocoon, sent in 1834 to the Exhibition of the
Royal Cornwall Polytechnic Society at Falmouth. This carving in
bass-relief, executed by a boy from a wild moorland village, without
instruction, copied from a wood-cut in the _Penny Magazine_, and with
tools of his own making, was considered so very remarkable a
production that the Society awarded him a silver medal. Nevil was sent
to London, and through Sir Charles Lemon's influence was presented to
the Queen and Prince Consort, and he was allowed to cut a profile of
the Prince of Wales, then a boy, and this portrait was sent to
Osborne, and was approved by the Royal parents. Sir Charles Lemon
further introduced the lad to Chantrey, who secured for him employment
as a carver in one of the most celebrated ateliers in London.
Burnard reproduced his profile of the Prince of Wales in marble for
the Public Hall at Falmouth, and the general opinion expressed upon it
was that it amply sustained the early expectation which had been
formed of his talents.
Thus fairly launched in his profession as a carver in London, he found
employment in the studios of the best sculptors of the day, as Bailey,
Marshall, and Foley; and there was no lack of work, and no falling
short of pay.
Caroline Fox, in her _Memories of Old Friends_, says:--
"1847, October 4th.--Burnard, our Cornish sculptor, dined with us. He
is a great, powerful, pugilistic-looking fellow at twenty-nine; a
great deal of face, with all the features massed in the centre; mouth
open, and all sorts of simplicities flowing out of it. He liked
talking of himself and his early experiences. His father, a
stonemason, once allowed him to carve the letters on a little cousin's
tombstone which would be hidden in the grass; this was his first
attempt, and instead of digging in the letters he dug around them, and
made each stand out in relief. His stories of Chantrey very odd: on
his death Lady Chantrey came into the studio with a hammer and knocked
off the noses of many completed busts, so that they might not be too
common--a singular attention to her departed lord. Described his own
distress when waiting for Sir Charles Lemon to take him to Court: he
felt very warm, and went into a shop for some ginger-beer; the woman
pointed the bottle at him, and he was drenched. After wiping himself
as well as he could he went out to dry in the sun. He went first to
London without his parents knowing anything about it, because he
wished to spare them anxiety, and let them know nothing until he could
announce that he was regularly employed by Mr. Weekes. He showed us
his bust of the Prince of Wales--a beautiful thing, very intellectual,
with a strong likeness to the Queen--which he was exhibiting at the
Polytechnic, where it will remain."
[Illustration: WESLEY'S HEAD OVER THE OLD MEETING-HOUSE, PENPONT,
ALTARNON
Public-domain text, read in full here on John Shaqi.
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