[79] The first edition, a little duodecimo, was published in 1684, a third edition was published at Winchester (where, it will be remembered, Charles sometimes kept his Court), on 7th Aug., 1686. [80] 'Selindra,' 'Pandora,' and 'Ormasdes.' Printed in 1665, London, 8vo. [81] A Thomas Killigrew, whom I cannot quite identify, was in the Queen's Bench prison in 1642-43 on a suspicion of having raised arms against the Parliament. [82] Women did not appear on the stage until after the Restoration. [83] About this time we find Elizabeth, Queen of Bohemia, interceding with the Court on Thomas Killigrew's behalf, for a commission in 'Captaine Morgan's companie, who is dead.' [84] On April 8th, 1663, at the New Theatre in Drury Lane, the prices of admission were: boxes, 4s.; pit, 2s. 6d.; middle gallery, 1s. 6d.; upper gallery, 1s. The play began at 3 p.m., the prices not so very different from those at present, except that the pit seems to be proportionately dearer. The company at first consisted, so Mr. Froude says, of actors from the old 'Red Bull,' with additions from Rhodes's. Nell Gwynne and Mrs. Knepp (Pepys' Knip) were amongst them. I am indebted to my friend, Dr. G. Fielding Blandford, for the following information as to the site of the building:--'Killigrew converted Charles Gibbons' Tennis Court into a theatre in 1660. It was in Bear Yard, Vere Street, Clare Market, and was opened 8th November, 1660, with the play of "Henry IV." Pepys was there November 20th, and saw the play of "Beggar's Bush," and, for the first time, Mohun (known as Major Mohun), "said to be the best actor in the world." Here (January 3rd, 1661) he, for the first time, saw women on the stage. He calls it in other places the New Theatre, and says "it is the finest playhouse, I believe, that ever was in England." The names of the actors are given in the rate-books of St. Clement Danes for 1663. This theatre is not to be confounded (as it often is) with the one subsequently built in Portugal Row, and known as the Duke's Theatre. This is now the site of the Hunterian Museum. I believe the first theatre of that name only existed a few years.' [85] As regards the well-known story of his flippant tongue having brought him into collision with Rochester--for which, according to Pepys, Rochester never apologized--it may be observed that Rochester _did_ apologize to Tom's son, Harry, before going to France (7th Report Dep. Keeper of Records, p. 531_a_). [86] 'It was considered remarkable as being cut out of one stone; and it has been reckoned one of the best pieces of sculpture in the whole church.'--(_Royal Magazine_, 1763, p. 22.) [87] See Macaulay's review of Lord Mahon's 'War of the Succession.'