Cornish Worthies: Sketches of Some Eminent Cornish Men and Families, Volume 2 (of 2)Tregellas, Walter H. (Walter Hawken)
History
Cornish Worthies: Sketches of Some Eminent Cornish Men and Families, Volume 2 (of 2)
Tregellas, Walter H. (Walter Hawken)
Cornwall (England : County) -- Biography
To Macklin's 'British Poets and Bible,' and to Bowyer's 'Hume's History
of England,' he also contributed largely. 'The Death of Sapphira' is a
remarkable example of his artistic power.
About this period he must have written the following letter to his
sister, which is perhaps worth inserting--being, as it were, a peep
behind the scenes, affording us a glimpse of his rough, affectionate
nature:
'Nov. 20, 1800.
'DEAR BETT,[121]
'What the devil is the reason that thou art in such a fright, indeed
what should make thee suspect the contrary? My not having written is
the very thing that ought to have kept thee quiet, for if any accident
had happened to me thou certainly wouldst have heard of it by me and
by many others, henceforth I desire thou wilt remember the old saying
"no news is good news," and not fret thyself because I am lazy and
don't like to write when I have nothing to say.
'My dearest Amelia was not so fortunate in coming to town as myself;
she was overturned in the mail about 30 miles from town, and so
bruised as to cause her to be lame for a fortnight or three weeks
after, but she is now I hope perfectly recovered: she desires me to
give her kindest love to you and mother, and to thank you for your
presents.... Keep up Mother's spirits and tell her I am very well and
hope to see her again next summer, and my wife hopes the same. Give my
love to Mary James,[122] &c., &c., and believe me ever
'Affectionately yours,
'JOHN OPIE.
'Let brother's picture be sent off as soon as possible, and I will
take care the other shall be sent down as soon as I have time to paint
one of Amelia to go with it.'
But it is time to speak of his literary talents. Charles James
Fox,[123] Horne Tooke, and Sir James Mackintosh had the highest opinion
of his mental powers. Horne Tooke (whose portrait also Opie painted)
says of him that he spoke in axioms worthy to be remembered; and
Mackintosh observed: 'Had Mr. Opie turned his powers of mind to the
study of philosophy, he would have been one of the first philosophers
of the age. I was never more struck than with his original manner of
thinking and expressing himself in conversation; had he written on the
subject he would probably have thrown more light on the philosophy of
his art than any man living.'
There is a capital short 'Life of Sir Joshua Reynolds' by Opie, written
for Pilkington's 'Dictionary of Painters;' and the accompanying extract
from a letter which he addressed to one of the periodicals on the
subject of a grand national memorial to the triumphs of the British
fleet, may serve as a specimen of his powerful, glowing style. Opie
proposed a huge building in which everything connected with the subject
might be displayed--including statues of our naval heroes, surrounded
by pictorial representations of their achievements.
Public-domain text, read in full here on John Shaqi.
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