It is at the second stage of the rite where the interaction of the
two groups of rites is most clear and evident. In the tenth century
the second recensions of the English and French rite not only shew
considerable developements and a much more fixed and definite form,
but they are almost identical, and the French order bears certain marks
of English influence. Whence did this elaboration come? In the first
place the English and French rites can be taken together from this time
forward. Recension by recension they have been subjected to much the
same influences and are very close to each other. This was only natural
considering the closeness of the communications between England and
France. Between the Saxon royal families and the Court of Rome there was
considerable intercommunication, and on several occasions we hear of
Saxon princes going to Rome. Of Alfred we are told that he was invested
by the Pope at Rome with the insignia of a Roman consul, an investiture
which the Saxons seem to have mistaken for a coronation rite; and we are
also told that the insignia were preserved henceforth among the royal
ornaments. Of the Roman rite at this time we have no forms, in fact
nothing between the simple forms of the first imperial recension and
of the Milanese order and the elaborate order of Hittorp of the tenth
or eleventh centuries. Yet whereas in the former of these there were
investitures of Sword and Crown only, in the latter the king is invested
with Sword, Ring, Verge, and Crown, and the unction is elaborate, being
made on head, breast, shoulders, bends of arms, and hands. It is clear
that influences have been at work in the intervening period. We know that
France had great influence on the Liturgical books of Rome in the ninth
and tenth centuries, and it would seem that here is yet another instance
of this influence, and that the elaborations in the Roman rite were at
some time adopted from France and at Rome reduced into order and fixity.
Doubtless at Rome even the rite underwent some developement, but it is
noticeable that after the time of the rite of Hittorp’s order the rite at
Rome returned to something of its earlier simplicity and drops out many
of the elaborations which we find in Hittorp’s order. Thus we may perhaps
presuppose an intermediate order at Rome similar to Hittorp’s order.
In the case of Edgar of England, the English writers made much of his
coronation in the year 973. It was an occasion which called for special
pomp and circumstance, and much stress is laid on the magnificence of
the whole ceremony. It is likely that this is the occasion for which
the second recension was composed, and the natural source of this
developement and revision would seem to be a Roman order similar in
character to that of Hittorp. This rite of the second English recension
was adopted almost word for word in France in the order of Ratold.
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