The affection, which was merely to the indifferent nature of Maitland
a simple college episode, became to Florent the most serious, most
complete sentiment of his life. Those fraternities of election, the
loveliest and most delicate of the heart of man, usually dawn thus in
youth. It is the ideal age of passionate friendship, that period
between ten and sixteen, when the spirit is so pure, so fresh, still so
virtuous, so fertile in generous projects for the future. One dreams
of a companionship almost mystical with the friend from whom one has no
secret, whose character one sees in such a noble light, on whose esteem
one depends as upon the surest recompense, whom one innocently desires
to resemble. Indeed, they are, between the innocent lads who work side
by side on a problem of geometry or a lesson in history, veritable
poems of tenderness at which the man will smile later, finding so far
different from him in all his tastes, him whom he desired to have for
a brother. It happens, however, in certain natures of a sensibility
particularly precocious and faithful at the same time, that the
awakening of effective life is so strong, so encroaching, that the
impassioned friendship persists, first through the other awakening, that
of sensuality, so fatal to all the senses of delicacy, then through the
first tumult of social experience, not less fatal to our ideal of youth.
That was the case with Florent Chapron, whether his character, at once
somewhat wild and yet submissive, rendered him more qualified for that
renunciation of his personality than friendship demands, whether, far
from his father and his sister and not having any mother, his loving
heart had need of attaching itself to some one who could fill the place
of his relatives, or whether Maitland exercised over him a special
prestige by his opposite qualities. Fragile and somewhat delicate, was
he seduced by the strength and dexterity which his friend exhibited in
all his exercises? Timid and naturally taciturn, was he governed by
the assurance of that athlete with the loud laugh, with the invincible
energy? Did the surprising tendency toward art which the other one
showed conquer him, as well as sympathy for the misfortunes which were
confided to him and which touched him more than they touched him who
experienced them?
Public-domain text, read in full here on John Shaqi.
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