“They are very well,” replied Gorka. The last stage of his fury,
suddenly arrested by the presence of the young girl, was manifested,
but only to the Countess, by the simple phrase to which his eyes and his
voice lent an extreme bitterness: “I found them as I left them.... Ah!
They love me dearly.... I leave you to Peppino, Countess,” added
he, walking toward the door. “Mademoiselle, I will bear your love to
Maud.”....He had regained all the courtesy which a long line of savage
‘grands seigneurs’, but ‘grands seigneurs’ nevertheless, had instilled
in him. If his bow to Madame Steno was very ceremonious, he put a
special grace in the low bow with which he took leave of the Contessina.
It was merely a trifle, but the Countess was keen enough to perceive it.
She was touched by it, she whom despair, fury, and threats had found
so impassive. For an instant she was vaguely humiliated by the success
which she had gained over the man whom she would, voluntarily, five
minutes before, have had cast out of doors by her servants. She was
silent, oblivious even of her daughter’s presence, until the latter
recalled her to herself by saying:
“Shall I put on my veil and fetch my parasol?”
“You can join me in the office, whither I am going to talk with Ardea,”
replied her mother; adding, “I shall perhaps have some news to tell you
in the carriage which will give you pleasure!”.... She had again
her bright smile, and she did not mistrust while she resumed her
conversation with Peppino that poor Alba, on reentering her chamber,
wiped from her pale cheeks two large tears, and that she opened, to
re-read it, the infamous anonymous letter received the day before. She
knew by heart all the perfidious phrases. Must it not have been that the
mind which had composed them was blinded by vengeance to such a degree
that it had no scruples about laying before the innocent child a
denunciation which ran thus:
“A true friend of Mademoiselle Steno warns her that she is
compromised, more than a marriageable young girl should be, in
playing, with regard to M. Maitland the role she has already played
with regard to M. Goyka. There are conditions of blindness so
voluntary that they become complicity.”
Public-domain text, read in full here on John Shaqi.
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