We would here remark that the abuse of thought, and the false track it too often pursues, ought not to sanction an opinion derogatory to the intellect, which would imply that the domain of mind is essentially a world of vague fantastic illusions, and that the treasures accumulated by laborious observations in philosophy are powers hostile to its own empire. It does not become the spirit which characterizes the present age distrustfully to reject every generalization of views and every attempt to examine into the nature of things by the process of reason and induction. It would be a denial of the dignity of human nature and the relative importance of the faculties with which we are endowed, were we to condemn at one time austere reason engaged in investigating causes and their natural connections, and at another that exercise of the imagination which prompts and excites discoveries by its creative powers. This material taken from pages 79 to 111 COSMOS: A Sketch of the Physical Description of the Universe, Vol. 1 by Alexander von Humboldt Translated by E C Otte from the 1858 Harper & Brothers edition of Cosmos, volume 1 -------------------------------------------------- p 79 COSMOS. ------------------------- DELINEATION OF NATURE. GENERAL REVIEW OF NATURAL PHENOMENA. WHEN the human mind first attempts to subject to its control the world of physical phenomena, and strives by meditative contemplation to penetrate the rich luxuriance of living nature, and the mingled web of free and restricted natural forces, man feels himself raised to a height from whence, as he embraces the vast horizon, individual things blend together in varied groups, and appear as if shrouded in a vapory vail. These figurative expressions are used in order to illustrate the point of view from whence we would consider the universe both in its celestial and terrestrial sphere. I am not insensible of the boldness of such an undertaking. Among all the forms of exposition to which these pages are devoted, there is none more difficult than the general delineation of nature, which we purpose sketching, since we must not allow ourselves to be overpowered by a sense of the stupendous richness and variety of the forms presented to us, but must dwell only on the consideration of masses either possessing actual magnitude, or borrowing its semblance from the associations awakened within the subjective sphere of ideas. It is by a separation and classification of phenomena by an intuitive insight into the play of obscure forces, and by animated expressions, in which the perceptible spectacle is reflected with vivid truthfulness, that we may hope to comprehend and describe the 'universal all' [Greek words] in a manner worthy of the dignity of the word 'Cosmos' in its signification of 'universe, order of the world', and 'adornment' of this universal order. May the immeasurable diversity of phenomena which crowd into the picture of