Cosmos: A Sketch of the Physical Description of the Universe, Vol. 1Humboldt, Alexander von
History
Cosmos: A Sketch of the Physical Description of the Universe, Vol. 1
Humboldt, Alexander von
Astronomy; Cosmography; Physical geography; Science -- History
the contemplation of the universe (which
p 81
will be considered in another part of this work) will teach us how, in the
course of ages, mankind has gradually attained to a partial insight into the
relative dependence of phenomena. My duty is to depict the results of our
knowledge in all their bearings with reference to the present. In all that
is subject to motion and change in space, the ultimate aim, the very
expression of physical laws, depend upon 'mean numerical values', which show
us the constant amid change, and the stable amid apparent fluctuations of
phenomena. Thus the progress of modern physical science is especially
characterized by the attainment and the rectification of the mean values of
certain quantities by means of the processes of weighing and measuring; and
it may be said, that the only remaining and widely-diffused hieroglyphic
characters still in our writing -- 'numbers' -- appear to us again, as
powers of the Cosmos, although in a wider sense than that applied to them by
the Italian School.
The earnest investigator delights in the simplicity of numerical relations,
indicating the dimensions of the celestial regions, the magnitudes and
periodical disturbances of the heavenly bodies, the triple elements of
terrestrial magnetism, the mean pressure of the atmosphere, and the quantity
of heat which the sun imparts in each year, and in every season of the year,
to all points of the solid and liquid surface of our planet. These sources
of enjoyment do not, however, satisfy the poet of Nature, or the mind of the
inquiring many. To both of these the present state of science appears as a
blank, now that she answers doubtingly, or wholly rejects as unanswerable,
questions to which former ages deemed they could furnish satisfactory
replies. In her severer aspect, and clothed with less luxuriance, she shows
herself deprived of that seductive charm with which a dogmatizing and
symbolizing physical philosophy knew how to deceive the understanding and
give the rein to imagination. Long before the discovery of the New World,
it was believed that new lands in the Far West might be seen from the shores
of the Canaries and the Azores. These illusive images were owing, not to
any extraordinary refraction of the rays of light, but produced by an eager
longing for the distant and the unattained. The philosophy of the Greeks,
the physical views of the Middle Ages, and even those of a more recent
period, have been eminently imbued with the charm springing from similar
illusive phantoms of the imagination. At the limits of circumscribed
knowledge, as from some lofty island shore, the eye delights to penetrate
p 82
to distant regions. The belief in the uncommon and the wonderful lends a
definite outline to every manifestation of ideal creation; and the realm of
fancy -- a fairy-land of cosmological, geognostical, and magnetic visions --
becomes thus involuntarily blended with the domain of reality.
Public-domain text, read in full here on John Shaqi.
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