themselves under the dark vaulted roof of the cloister church.
At one of the altars, decked with tapers in high candlesticks, knelt
a priest in the attitude of prayer; on either side of him, also
kneeling, were two young choristers, clad in violet mantles, with white
lace capes, holding censers in their hands. The priest was imploring
a miracle from Heaven: he prayed that God would preserve the city,
strengthen the failing courage, send down patience and resignation to
the hearts of the timid and pusillanimous, to support them under the
misery He had sent. Some women, like so many phantoms, were on their
knees, reclining and even drooping their heads on the backs of the
stools and of the dark wooden benches before them. Some men, leaning
against the columns which sustained the side arches, mournfully knelt
also. A window with coloured glass, which was over the altar, was now
lighted by the pink hue of morning, and from it fell, down upon the
floor, blue, yellow, and variegated circles of light, which suddenly
brightened the darkness of the church. The whole of the altar in its
distant niche, seem drowned in light; the smoke of the incense hung in
the air like a cloud beaming with all the hues of the rainbow. Andrew
was fain to look from the dark corner where he was standing, on this
remarkable phenomenon produced by light. At this moment the sublime
pealing of the organ suddenly filled the whole of the church; it grew
deeper and deeper, increased by degrees into the heavy rollings of
thunder, and then, all at once, turning into a heavenly melody, sent
up, higher and higher beneath the vaulted roof, its warbling notes,
which recalled the delicate voices of maidens; then once more it
changed into the deep bellow of thunder, and then it was silent; but
the rollings of the thunder long after tremulously vibrated along the
aisles, and Andrew with open mouth stood marvelling at the sublime
music.
Public-domain text, read in full here on John Shaqi.
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