Costume: Fanciful, Historical and TheatricalAria, Mrs. (Eliza Davis)
History
Costume: Fanciful, Historical and Theatrical
Aria, Mrs. (Eliza Davis)
Costume -- History
This description of a Venetian wedding in the eighteenth century was
by Lady Miller:--"All the ladies, except the bride, were dressed in
their black gowns with large hoops; the gowns were straight-bodied with
very long trains, the trains tucked up on one side of the hoop with a
prodigious large tassel of diamonds. Their sleeves were covered up to
their shoulders with falls of the finest Brussels lace, a drawn tucker
of the same round the bosom, adorned with rows of the finest pearls,
each the size of a gooseberry, till the rows descended below the top of
the stomacher; then two rows of pearls, which came from the back of the
neck, were caught up at the left side of the stomacher, and finished in
two fine tassels. Their heads were dressed prodigiously high, in a vast
number of buckles and two long drop curls in the neck. A great number
of diamond pins and strings of pearls adorned their heads, with large
sultanas, or feathers, on one side, and magnificent diamond ear-rings.
The bride was dressed in cloth of silver made in the same fashion, and
decorated in the same manner, but her brow was kept quite bare, and she
had a fine diamond necklace and an enormous bouquet."
Lady Miller deserved to have lived in times when the conduct of the
fashion paper was amongst the privileges of the high nobility.
CHAPTER XIX
OF DANCING DRESSES, EUROPEAN AND ORIENTAL, ANCIENT AND MODERN
Sympathy between Church and Stage is of no novel date. The relationship
between the two has been close and intimate since the days when no
religious festival was complete without its chorus of dancers, and the
officiating priests took part in the tripping until the introduction, in
the Middle Ages, of such profanities as the Dance of Death and the Dance
of the Angels, common in Italy, Spain, and France, caused the practice to
fall into disrepute.
Possibly the present time sees the Terpsichorean art at its lowest ebb.
Nevertheless, a promising sign of reviving interest is that modern
scientists, following the example of the old Greek philosophers, are
emerging as champions of the lightsome measure. Still, it is doubtful
whether it will ever again attain the respect it reached in ancient
Greece; and it were mere optimism to hope that we may yet witness Members
of Parliament dancing to their seats in the House of Commons, our judges
pirouetting solemnly towards the bench, and our admirals and generals
inculcating a spirit of patriotism by dances devised to inspire heroic
sentiments and an exalted idea of military duty.
Public-domain text, read in full here on John Shaqi.
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