Like the Daimios and Samourai, the sacred Geisha is rapidly becoming a memory only in the Japan of to-day. Nevertheless, the custom of keeping dancing girls in the temples still survives in certain provinces. Quaint because of their solemnity, the religious dances are executed by a number of diminutive maidens under thirteen years of age. Ranged on a platform, these odd little vestals are garbed in a manner which adds considerably to the bizarre effect of the scene. Each wears twelve kimonos, one on top of the other, alternately white and red, the borders showing in regular rows at the throat, and over these is a Court mantle sumptuously embroidered in gold and coloured silks, the back shaped to suggest a chasuble. Divided down the centre in front, the hair hangs in a plait behind, decorated with circles cut out of gold paper drawn together to form two big rings, while at the temples appear clusters of red camellias and wistaria and metal ornaments. The face is whitened and the lips are stained vermilion, and the shaved eyebrows replaced by short, slanting lines of black paint, which lend a touch at once piquant and grotesque. The Geisha of the house is a vastly different person. Her sole mission in life is to amuse and entertain. To this end she dons a gaily-embroidered kimono and decorates her black hair with fans, flowers, and other ornaments. Her prettiest performance is the fan dance, to the light strain of a stringed instrument played by a female musician. Fluttering a fan in her right hand, with her left she liberates a paper butterfly, then, darting hither and thither with marvellous grace and dexterity, she pursues it as it floats towards a flower, skims a petal and alights on the brim of a cup, to escape afresh and describe moth-like circles about the flame of a candle, suddenly disappearing in a quick flash of fire. In Mohammedan countries dancing is denounced as a sin. Men never indulge in it, either for profit or pastime, while such women as make it their profession are regarded as disreputable members of the community.