Costume: Fanciful, Historical and TheatricalAria, Mrs. (Eliza Davis)
History
Costume: Fanciful, Historical and Theatrical
Aria, Mrs. (Eliza Davis)
Costume -- History
Pleasant reading is of the milkmaid of the reign of James I.; she must
have been a bonny figure in her box-pleated under-skirt of red serge,
with a blue serge over-skirt tucked up on the hips. Her tight bodice was
of blue and laced down the front, her sleeves were long and loose to
allow of their being rolled back to the elbow, round her neck was wound a
bright-coloured kerchief, and on her head another, while, for merrymaking
and fêtes, she would tie her apron with coloured ribbons, and let bunches
of ribbon adorn her smart high-heeled shoes. As an alternative to the
kerchief she would wear over her hood a plain straw hat with a slightly
turned-up brim decked with ribbons.
The Commonwealth brought with it austerity of dress; sad tones of dull
brown and grey receiving popular patronage, while the formal linen cuffs,
collar, and cap were ubiquitous. A plain material formed the over-skirt
of many a dress which bore a striped under-skirt, tight sleeves, and a
plain, tightly-fitting bodice. Cuffs and collars grew wider, the linen
apron had two pockets, and there was added to costume a circular cape
of dull serge. The high felt hat was adorned simply by a plain band of
ribbon.
During the Restoration, colour asserted itself once more, and dress was
again pretty, a commendable example having a blue linen skirt with a
band of fancy material round the hem, a full basque, and a linen collar,
the front adorned with braid, the apron striped.
Stripes were quite a feature of fashion then and in the later days of
William III., when the striped skirt would be adorned with a deep band
of plain material trimmed with braid, the striped bodice cut V-shaped to
show a vest of pleated linen, the sleeves being plain with linen cuffs,
the apron of linen, and the cloth hood and cape cut in one piece.
Fancy materials were made in the reign of Anne, when short skirts
frequently were composed of stripes beneath a plain over-skirt bunched on
the hips. The bodice then came out in the glory of a muslin fichu, and
the long sleeves were turned back to the elbow, the cap was of muslin
too, with a full crown and gauffered edge. A charming picture of a
country-woman of 1711 shows her wearing a tucked-up gown with short loose
sleeves, a pair of stiff stays, and an apron, with high-heeled shoes and
a low cap turned up in front. Caps yielded place to hats for the lower
orders in the eighteenth century, when plain flat straw hats became the
only wear, being recognised as serving a useful purpose in the carrying
of fruit and fish.
Cretonne first enjoyed a share of recognition in the reign of George
I., when the under-skirts were made of this in stripes, gathered at the
waist, and over these was worn a serge skirt tucked up at the hips. The
tight-fitting bodice was of serge laced in front, cut low in the neck,
and outlined with a loosely-knotted handkerchief, the full sleeves being
turned back below the elbows.
Public-domain text, read in full here on John Shaqi.
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