Costume: Fanciful, Historical and TheatricalAria, Mrs. (Eliza Davis)
History
Costume: Fanciful, Historical and Theatrical
Aria, Mrs. (Eliza Davis)
Costume -- History
If dress be an outward and visible sign of character, then should the
people of Quimper be the gayest of the gay. The costume of the district
consists of a laced jacket with tight elbow-sleeves, supplemented by
full white ones which reach to the wrist, and a short petticoat of ample
proportions. Blue is a favourite shade for both corsage and skirt, which
are frequently glorified by the addition of red and gold lace. Blue
and pink inspire the sleeves, the under ones being of white, tied, _au
poignet_, with yellow ribbon. The chemisette displays a multi-coloured
collar, and the apron is in a vivid tone of orange.
The Morbihan department is distinguished by a variety of head-dresses,
some of which are exceedingly high, while all fit closely round the face,
and many display pendent lappets behind.
Odd, but by no means unbecoming, is the costume of the Normandy peasant.
The skirt is of striped woollen material, partially concealed beneath a
red and blue apron. Of black, white, red, or maroon worsted, the bodice
boasts long sleeves, some of which are scarlet in colour from wrist to
elbow and dull claret to the shoulder, a small fringed shawl hiding the
upper portion of the arm. Quite the most striking and important feature
is the _bourgoin_. Evolved from stiff white muslin drawn over a cardboard
shape, it is very high in the crown, the wide brim narrowing towards
the back, whence dangle two lace streamers. The hair is turned up in a
manner best described as clubbed, the ends disappearing beneath the cap,
while on fête-days the head-dress is composed of the very finest muslin,
elaborately trimmed with lace, and fastened by means of a velvet strap
passed under the chin or across the forehead.
The _bourgoin_ is encountered in its most ornate form, however, in the
Pays de Caux, where it is reverently regarded as an heirloom and handed
down from generation to generation. Wonderfully and fearfully made,
the upper portion is of light blue pasteboard strewn with gold tinsel
flowers, and ruffled with muslin bordered with lace. The brim is of
scarlet velvet, lappets floating behind, and a chin-strap holding it in
place. Unlike the women of Brittany, who carefully conceal all traces
of hair, the Normandy peasant arranges hers in coquettish curls on the
temples.
Public-domain text, read in full here on John Shaqi.
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