Costume: Fanciful, Historical and TheatricalAria, Mrs. (Eliza Davis)
History
Costume: Fanciful, Historical and Theatrical
Aria, Mrs. (Eliza Davis)
Costume -- History
The comfortable advantage of reindeer skin was appreciated by the
Norwegian peasants in their dress of olden times, and cloaks of this
were generally worn until the city of Bergen was built by King Oluf in
the eleventh century, and the coming of foreign merchants introduced a
variety of new fashions. According to Norwegian chroniclers, the natives
took greedily to fine laced hose, golden plates buckled round their legs,
high-heeled shoes stitched with silk and covered with tissue of gold,
jackets that buttoned on the side, with sleeves ten feet long, pleated up
to the shoulders.
The long reindeer-skin garment did not, however, disappear entirely,
until the rule of short clothes and bare legs was inaugurated by King
Magnus Olufsen.
The varieties of fashion do not seem to affect the peasants now; they
note with indifference the changes of costume, and cling mainly to the
dress which has descended through many generations. Their breeches and
stockings are cut in one; their waistcoats are of woollen material
with the seams covered with cloth of different colour; on their heads
they wear brown, grey, or black caps, or broadly brimmed hats; while
their heel-less shoes are made of two pieces of leather, and the laced
half-boots used in winter are covered with sealskin.
The Swedish peasants are devoted to long coats of cloth lined with
sheepskin, and the women choose their woollen gowns striped with green
and white and red.
The Norwegian fête dress consists of a laced jacket and leather girdle
set with silver, and indispensable are many rows of chain holding a gilt
or silver pendant. The kerchief and cap are covered with silver, tin,
and brass plates, buttons and rings being used _ad libitum_, and very
fine linen is amongst the luxuries.
Almost every parish in Norway has its own colour, a scheme which might
considerably assist the police and municipal authorities in the sordid
byways of crime, or the roseate paths of romance.
[Illustration: HUNGARIAN PEASANT IN SEVENTEENTH CENTURY.]
The Hungarian peasant women may be noted in passing for their yellow
leather boots and low iron heels, and they study the serviceable and the
beautiful in their many coloured bodices and petticoats, and white apron
and long plaits. The Hungarian peasant woman illustrated shows the effect
of white linen for the head, with the dress of canvas embroidered in red
and blue and violet.
Public-domain text, read in full here on John Shaqi.
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