Country life -- England -- Fiction; Short stories, English; Working class -- England -- Fiction
=The Globe.=—‘She puts before us the natives of our Empire in the East
as they live and move and speak, with their pitiful superstitions, their
strange fancies, their melancholy ignorance of what poses with us for
knowledge and civilisation, their doubt of the new ways, the new laws,
the new people. “Shah Sujah’s Mouse,” the gem of the collection—a
touching tale of unreasoning fidelity towards an English "Sinny Baba"—is
a tiny bit of perfect writing.’
LONDON: WILLIAM HEINEMANN, 21 BEDFORD STREET, W.C.
------------------------------------------------------------------------
THE LAST SENTENCE
BY MAXWELL GRAY
Author of ‘The Silence of Dean Maitland,’ etc.
_In One Volume, price 6s._
=The Standard.=—‘_The Last Sentence_ is a remarkable story; it abounds
with dramatic situations, the interest never for a moment flags, and the
characters are well drawn and consistent.’
=The Saturday Review.=—‘There is a great deal as well as a great variety
of incident in the story, and more than twenty years are apportioned to
it; but it never seems over-crowded, nor has it the appearance of
several stories rolled into one. _The Last Sentence_ is a remarkable
novel, and the more so because its strong situations are produced
without recourse to the grosser forms of immorality.’
=The Daily Telegraph.=—‘One of the most powerful and adroitly-worked-out
plots embodied in any modern work of fiction runs through _The Last
Sentence_.... This terrible tale of retribution is told with
well-sustained force and picturesqueness, and abounds in light as well
as shade.’
=The Morning Post.=—‘Maxwell Gray has the advantage of manner that is
both cultured and picturesque, and while avoiding even the appearance of
the melodramatic, makes coming events cast a shadow before them so as to
excite and entertain expectation.... It required the imagination of an
artist to select the kind of Nemesis which finally overtakes this
successful evil-doer, and which affords an affecting climax to a rather
fascinating tale.’
=The Glasgow Herald.=—‘This is a very strong story.... It contains much
rich colouring, some striking situations, and plenty of thoroughly
living characters. The interest is of a varied kind, and, though the
hero is an aristocrat, the pictures of human life are by no means
confined to the upper circles.’
=The Leeds Mercury.=—‘It shows a command of the resources of the
novelist’s art which is by no means common, and it has other qualities
which lift it far above the average level of the circulating library. It
is written with a literary grace and a moral insight which are seldom at
fault, and from first to last it is pervaded with deep human interest.’
=The Queen.=—‘Maxwell Gray has a certain charm and delicacy of style.
She has mastered the subtleties of a particular type of weak character
until she may be almost called its prophet.’
Public-domain text, read in full here on John Shaqi.
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