Country life -- England -- Fiction; Short stories, English; Working class -- England -- Fiction
=The Spectator.=—‘Several of his types are painted in with a fine
combination of breadth of effect and wealth of significant detail....
Certainly a book which has not merely cleverness, but real vitality.’
=The Speaker.=—‘A novel of such remarkable merit, and written with such
easy mastery of style. From first to last this striking and powerful
story maintains a high level of excellence, betokening no ’prentice
hand. It is a story teeming with humour and pathos, instinct with the
irony of human fate, and quick to apprehend the subtle twists and
inconsistencies of human character. Above all, it is deliciously
original ... and told with great spirit, humour, and dramatic vigour. A
vivid picture of a side of life upon which little light has been cast by
our novelists since Dickens laid down his pen.’
=The Morning Post.=—‘On the whole realistic; this presentment of Holland
in London has certain impressionist touches that are decidedly
effective.... All the tragedy of the book centres in the figure of Peter
van Eijk, a creation which says much for the author’s imaginative
powers.’
=The Daily Telegraph.=—‘A singular little novel, which has so undeniable
a power of its own.’ (Mr. W. L. COURTNEY.)
=The Globe.=—‘The literary treatment is fresh and impressive.... The
author shows skill in all its characterisations, his mastery of Dutch
idiosyncrasy being obviously complete.’
=The Daily Chronicle.=—‘One does not care to put the book down till the
last page is turned.’
=The Westminster Gazette.=—‘Vivid in portraiture, vivacious in
manner.... The combination of close observation and grim sardonic humour
gives the book a decided charm....The pathetic figure of Peter is drawn
with a tenderness which indefinitely enlarges our impression of the
author’s dramatic possibilities.’
=The Weekly Sun.=—‘Has the great merit of introducing us to a new
world.... What a delightful creation Mrs. de Griendt is. Indeed, I
should personally have been glad if we had had more of her. Whenever she
appears on the stage she fills it with her presence, and you can see
her, hear her, watch her with fascination and incessant interest.... I
think the reader will agree with me that I have not exaggerated the
literary merit of this exquisitely-described scene.’ (T. P. O’CONNOR,
M.P.)
=The Review of Reviews.=—‘You will enjoy reading it.’
=The Glasgow Herald.=—‘A striking and amusing novel.... The author has a
pleasant gift of humour, and has shown distinct originality.’
=The Aberdeen Daily Free Press.=—‘In the publication of this and kindred
works, Mr. Heinemann is doing much to maintain the freshness and vigour
of our English fiction....He has seldom provided a pleasanter and yet
more bracing work than the _Drama_ now before us.... As a mere story it
will carry delight to even the most unthinking.’
LONDON: WILLIAM HEINEMANN, 21 BEDFORD STREET, W.C.
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Public-domain text, read in full here on John Shaqi.
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