Rising one means that the box is risen to the next shelf; rising two
is risen to the next shelf but one, skipping one. This style of drop
box can be driven at the speed of 170 picks per minute. Generally, a
weaver attends to three of these looms, and an overlooker to from 50 to
60. For the check shirting trade looms to weave from 30-inch to 37-inch
cloth are used.
OTHER MOTIONS.
An ingenious drop-box motion is manufactured by a Burnley firm, by
which the weight of supporting the boxes, etc., is altogether removed
from the pattern chain, which is consequently made of less cumbrous
construction. Other firms claim decided advantages in respect of a
greater skip than either Diggle’s or Wright Shaw’s motions--_e.g._,
from the first to the sixth box. Skips of this extent are obtained
principally by using several eccentric cams. One of these may lift a
single box, a second may raise the boxes two spaces, and their effect
in combination is a lift of three shuttles, and so on for greater
effects.
CIRCULAR BOXES.
Circular boxes are seldom used for cotton goods. In this arrangement
the shuttles are fixed in grooves formed in a block revolving at the
slay end, and drawn round in either direction by hooks, one being
placed at each side of the revolving barrel. The movement of the hooks
is regulated by a pattern chain. The speed is about the same as a
Wright Shaw motion.
GENERAL.
Any of these types of boxes may be used with the over-pick, and either
with tappets, dobby, or jacquard shedding. Attempts have recently been
made to apply the drop-box principle to a system of replenishing the
loom with three or four cops of weft without a stoppage, by having
them previously placed in the shelves and lowered on the breakage or
running-off of the previous weft.
COLOURED SPOTS.
Additional colour is introduced into cotton fabrics in spots and
figures after the manner of embroidery, by using circle swivels or
lappets. If a series of small spots in colour are required to be made,
by using a drop-box loom with a jacquard or dobby the object is easily
attained, but it necessitates the cutting away of much of the coloured
yarn which has been picked across the cloth, and only a portion of
which is required for the figure. Now, by using extra twist or weft,
and only interweaving as much as is required for the figure alone, much
waste can be prevented, and a firmer spot obtained. Take, for example,
the spotted muslin so frequently used for window curtains; each figure
only consists of a few inches of coarse yarn so loosely passed through
the ground cloth, and apparently so entirely independent of the other
spots, that a tyro can form no other explanation of their appearance
there than that they have been sewn on.
CIRCLE WEAVING.
Public-domain text, read in full here on John Shaqi.
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