American fiction -- 20th century; Country life -- Fiction
"It isn't growing old that's the trouble. It's talking about it. Why,
the night after that meeting of the Circle--" She stopped here, and her
eyes, widening and growing darker in a way they had, gave her face
almost a look of terror.
"What is it, Ellen?" asked Martha Waterman kindly. "You tell it right
out."
"Why," said Ellen, "this is all 'twas. That night at supper, my Nellie
kept staring at me across the table. 'What is 't, Nellie?' I says, at
last. Then she colored up and says, not as if she wanted to, but as if
she couldn't help it, 'I hope I shall look like you sometime, aunt
Ellen.' You see how 'twas. She meant, when she was old. She never in her
life had thought anything about me being old, and they'd put it into her
head."
A pained look settled upon her face, and before she took up her sewing
again she glanced from one to another as if to ask them if they really
understood. There was a little warm murmur of assent. Ellen was beloved,
and there was, besides, a concurrent strain of sympathy through the
assembly who had known all her past. They remembered how Colonel Hadley
had "gone with her" awhile when she was teaching school at District
Number Four, and how Ellen had faded out, the summer he was married to
Kate Leighton, of the Leightons on the hill. Now his nephew, Clyde, was
going with Ellen's niece in a way that vividly mirrored the old time,
and they had heard that the colonel, when he came for one of his brief
visits in the summer, had somehow put a check to love's beginning. At
least, Clyde had seen Nellie only once after his uncle went away, and
had speedily closed the old house and followed him.
"There, Ellen," said Lydia Vesey, from a rare softness. "I guess
nobody'd ever say 't you was growin' old. They'd only think you was
sort o' palin' out, that's all, same 's a white dress is different from
a pink one."
"Well, now, I'll say my say, an' done with it," remarked Caddie
Musgrave, with her accustomed violence. "I'm ready to grow old when my
time comes, an' if I get there by the road some have took before me, I
guess I sha'n't be put under the sod by any vote o' town-meetin'. As I
look back, seems to me 'most all them that's gone before us has had
their uses to the last. Think o' gramma Jakes! Why, she hadn't chick nor
child of her own left to bless her, an' see how she was looked up to,
an' how every little tot in town thought he's made if he could be sent
to gramma Jakes's to do an arrant, an' she give him a pep'mint or a
cooky. 'Twa'n't the pep'mint though. 'Twas because she was a real sweet
nice old lady, that's what 'twas."
Public-domain text, read in full here on John Shaqi.
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