American fiction -- 20th century; Country life -- Fiction
When they walked back to the road, Jerry drew her aside to the birches
on the sunny knoll.
"You mustn't lay it up against me," he said brokenly.
"Lay what up?"
Her lips were full and lovely, and her eyes shone with the one look of
happiness.
"It's spring with these." He pointed to the birches. "It ain't with us."
"I don't know." Marietta laughed willfully. "Ain't you ever seen an
apple-tree blooming in the fall? or a late rose? Well, I have. So,
there!"
To Jerry, looking at her, she seemed like a beautiful stranger, met in
the way, and he kissed her again.
When they were driving home in their sober intimacy that had yet an
undercurrent of that rushing river of life, Marietta turned suddenly to
him.
"Jerry," she said, "when you played croquet, who beat?"
His eyes, meeting hers, took the merry challenge of them and answered
it. They both began to laugh, ecstatically, like children.
"She did," said he.
THE MASTER MINDS OF HISTORY
"What's that dry-goods case in the front entry?" asked Elihu Meade.
He had sunk into his particular chair by the kitchen stove, and was
drawing off his boots with the luxurious slowness of one whose day's
work is done and who may sit by expectant while fragrant warm delights
are simmering for supper. His wife, Amarita by name, stood at the stove,
piloting apple turnovers in a pool of fat. At a first glance she and her
husband seemed an ill-matched pair, he with a thin face and precise
patch of whisker at the ear, a noticeable and general meagreness of
build, and she dark and small, with a face flashing vivid intelligence.
Elihu's mother--a large, loosely made, blond old lady--sat by the
window, out of range of the lamplight even, knitting by feeling, and
doubling her pleasures through keeping her glance out of the window,
where a new moon hung.
While she felt the warmth of indoor comfort wafting about her, Amarita
cast up a hesitating yet altogether happy look at her husband. She knew
from old habit that she must choose her time of approach, but the warmth
and the plenitude of supper and her own inner enchantment with what she
had to tell convinced her against reason that the time was now.
"Why," she began, "you see 'twas this way."
Mrs. Meade the elder, known as "old Mis' Meade," gave a majestic
clearing of her throat. She brought her gaze indoors and bent a frowning
glance on the two at the stove. A shade of vexation passed over her
face, grotesquely elongating the downward-dropping lines.
"Rita," she called, in what seemed warning, "you come here a minute.
Ain't I dropped a stitch?"
Rita responded at once, bending over the stocking ostentatiously
displayed.
"You let me take it to the light," she began; but old Mis' Meade laid
thumb and finger on her apron, and having caught her daughter-in-law's
eye, made mysterious grimaces at her. Amarita, the knitting in her hand,
stared frankly back, and the old lady, forced to be explicit, bade her
in a mumbling tone:--
Public-domain text, read in full here on John Shaqi.
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