Country Rambles, and Manchester Walks and Wild Flowers: Being Rural Wanderings in Cheshire, Lancashire, Derbyshire, and YorkshireGrindon, Leo H. (Leo Hartley)
History
Country Rambles, and Manchester Walks and Wild Flowers: Being Rural Wanderings in Cheshire, Lancashire, Derbyshire, and Yorkshire
Grindon, Leo H. (Leo Hartley)
England -- Description and travel; Natural history -- England -- Manchester
Leaving the hall, the road descends rapidly towards the river, here
crossed by a stone bridge, shortly before reaching which there are some
cottages upon the left. At one of these, with the name "Thomas Ingham"
over the door, a nice tea may be obtained. It is not a very attractive
place to look at, but the parlour (at the back) is as comfortable as
any lady could desire; the provision is excellent, the attendance
prompt and respectful, and the charge so moderate that it seems
wonderful how it can pay. Forget not that in visiting such places the
obligation is mutual. Excursionists have no sort of claim upon private
houses, and should be glad to recompense with liberality the kindly
willingness to accommodate, save for which they might have to plod for
miles hungry and tired. Tea disposed of, we have a walk homewards
even more pleasing than the first, by taking, that is, the contrary or
Lancashire side of the river, and thus passing through the very woods
admired an hour previously from the hall and the crest of the hill.
The way is first over the stone bridge, then for a little distance up
the hill, descending thence into the field-path, found by means of a
large circular brick structure in one of the meadows, seemingly the
ventilation mouth of a coal-mine. There is a path quite close to the
river, if preferred, entered almost immediately after crossing the
bridge, but the water after wet weather is apt to be disagreeable,
and in autumn there is a thick and laborious jungle of butter-bur
leaves. The hill-side at this point is decidedly the best place for
viewing the hall, which crowns the tall cliff immediately in front of
it. It is hard to think, as we contemplate its lovely adjuncts, how
so romantic a site could have been deserted. The woods hanging the
hill-sides with their beautiful tapestry, the river creeping quietly
in the bottom, but seen only in shining lakelets where the branches of
the trees disentangle themselves, and make a green lacework of light
twig and leaf, just dense enough to serve as a thin veil, and just open
enough to let the eye pierce it and be delighted; the perfect calm
of the whole scene, and the sweet allurement of the path with every
additional step, how came they to be ignored? Approaching Reddish the
woods are unfenced, and the path lies almost beneath the trees. At the
end of May these woods are suffused with the brightest blue in every
direction,--the bloom of the innumerable wild hyacinth, which clusters
here in great banks and masses, so close that the green of the foliage
is concealed. The ground being a slope, and viewed from below, the
effect is most singular and striking. Shakspeare speaks of "making the
green one red;" here we have literally the green made blue. In the same
woods grows the forget-me-not, in abundance only exceeded in the Morley
meadows. One might almost fancy that the nymphs of ancient poetry had
been transmigrated into these sweet turquoise-coloured flowers. Among
Public-domain text, read in full here on John Shaqi.
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