Country Rambles, and Manchester Walks and Wild Flowers: Being Rural Wanderings in Cheshire, Lancashire, Derbyshire, and YorkshireGrindon, Leo H. (Leo Hartley)
History
Country Rambles, and Manchester Walks and Wild Flowers: Being Rural Wanderings in Cheshire, Lancashire, Derbyshire, and Yorkshire
Grindon, Leo H. (Leo Hartley)
England -- Description and travel; Natural history -- England -- Manchester
The broad green slopes and expanses of Lyme Park, though they partake
of the loneliness of the neighbouring moors, are, as indicated above,
pleasant at every season of the year. Nature, in truth, is always
good, no matter what the season is, if the people are so who seek it.
As we traverse them, in the south-west the eye rests upon the great
plain that stretches to Bowdon; upon the left, on a swelling height,
is the far-seen square grey tower called Lyme Cage, clearly intended,
when built, for a huntsman's refuge; and passing this it is not far
to the hall, upon which, being in a hollow, one comes so suddenly
as to be reminded of the adventures of the knights-errant in tales
of chivalry. A very fine quadrangular gritstone building, partly
Corinthian, partly Ionic, some portion is nevertheless of the time of
Elizabeth. The interior is also very various, in many portions stately
and richly ornamented, and literally crowded almost everywhere with
works of art, including a rude picture of the original hall in the
time of King John, with portraits, heraldry, tapestry, stained glass,
and wood-carving enough to satisfy the most ravenous. The rare mosaic
of fact and fiction currently accepted as the family history of the
Leghs is well sustained by the armour and other antiquities, not the
least interesting of which is the font in the chapel, in which for ages
the youthful scions of the house have been baptized. There is very
little timber in the park, though on the borders not wanting. The most
remarkable feature, as regards trees, is an avenue of over seventy
lindens.
[Illustration: Tho. Letherbrow.
Lyme Hall.]
Public-domain text, read in full here on John Shaqi.
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