Country rambles in England : $b or, Journal of a naturalistKnapp, J. L. (John Leonard)
History
Country rambles in England : $b or, Journal of a naturalist
Knapp, J. L. (John Leonard)
Natural history -- England; Natural history -- Outdoor books
Perfectly gregarious as the fieldfare is, yet we observe every year, in
some tall hedge-row, or little, quiet pasture, two or three of them that
have withdrawn from the main flocks, and there associate with the
blackbird and the thrush. They do not appear to be wounded birds, which
from necessity have sought concealment and quiet, but to have retired
from inclination; and I have reason to apprehend that these retreats are
occasionally made for the purpose of forming nests, though they are
afterwards abandoned without incubation; as I have now before me the egg
of a bird, which I believe to be that of a fieldfare, taken from a nest
somewhat like that formed by the song-thrush, in 1824. Its color is
uniform—a rather pale blue; it is larger than that of the thrush, obtuse
at both ends, and unlike any egg produced by our known British birds.
These retiring birds linger with us late in the season, after all the
main flights are departed, as if reluctant to leave us; but towards the
middle or end of April these stragglers unite, form a small company, and
take their flight.
Rural sounds, the voices, the language of the wild creatures, as heard
by the naturalist, belong to, and are in concord with the country only.
Our sight, our smell, may perhaps be deceived for an interval by
conservatories, horticultural arts, and bowers of sweets; but our
hearing can in no way be beguiled by any semblance of what is heard in
the grove or the field. The hum, the murmur, the medley of the mead, is
peculiarly its own, admits of no imitation, and the voices of our birds
convey particular intimation, and distinctly notify the various periods
of the year, with an accuracy as certain as they are detailed in our
calendars. The season of spring is always announced as approaching by
the notes of the rookery, by the jangle or wooing accents of the dark
frequenters of its trees; and that time having passed away, these
contentions and cadences are no longer heard. The cuckoo then comes, and
informs us that spring has arrived; that he has journeyed to us, borne
by gentle gales in sunny days; that fragrant flowers are in the copse
and the mead, and all things telling of gratulation and of joy: the
children mark this well-known sound, spring out, and cuckoo! cuckoo! as
they gambol down the lane: the very plow-boy bids him welcome in the
early morn. It is hardly spring without the cuckoo’s song; and having
told his tale, he has voice for no more—is silent or away. Then comes
the dark, swift-winged marten, glancing through the air, that seems
afraid to visit our uncertain clime: he comes, though late, and hurries
through his business here, eager again to depart, all day long in
agitation and precipitate flight. The bland zephyrs of the spring have
no charms with them; but basking and careering in the sultry gleams of
June and July, they associate in throngs, and, screaming, dash round the
steeple or the ruined tower, to serenade their nesting mates; and glare
Public-domain text, read in full here on John Shaqi.
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