"Now I think that's real--no imposture--none of those made-up cases
that the Mendicity Society look up and expose."
The remark came from a young man, who was likewise looking out, a very
good-looking fellow of prepossessing countenance. There was an air of
tenderness in his manner as he spoke, implying tenderness of heart for
her who stood by him. And the Lady Adela roused herself, and
carelessly asked, "What's real?" For her mind and thoughts had been
dwelling on invisible and absent things, and the poverty and the
singing had remained to her as though they had not been.
"That poor wretch there, and those famished children. That one--the
boy--looks as if he had not tasted food for a week. See how he fixes
his eyes up here! I am sure they are famished."
"Oh, Charles, don't talk so! Street beggars ought not to be allowed to
bring the sight of their misery here. It makes one shiver. They should
confine themselves to the City, and similar low parts."
"What's that about the City," inquired Mr. Grubb, who had entered and
caught the last words; while the young man, Charley Cleveland, moving
listlessly towards a distant window, stealthily threw a shilling from
it and then quitted the room.
"Street beggars," answered Adela. "I say they ought not to be allowed
out of the City, exposing their rags and their wretchedness to us! It
is too bad."
"The City is much obliged to you," said her husband, in a marked
manner, as if implying that he belonged to it. And the Lady Adela
shrugged her shoulders in very French fashion, the gesture betraying
contempt for the speaker and his words.
"Adela," he said, quietly drawing her to a sofa and sitting down
beside her, "I have long wanted a few minutes' serious talk with you;
and I have put it off from day to day, for the subject is full of pain
to me, as it ought to be to you. Of shame, I had almost said."
She turned her lovely eyes upon him. He could see the hard and defiant
expression they took, even in the twilight gloom.
"You may spare yourself the trouble of a lecture--if that is what you
intend. It will do me no good."
"Whether it will do you good or not, you must hear it. Your
behaviour----"
She interrupted him, humming a merry tune.
"Adela, listen to me," he resumed; and perhaps it was the first time
she had heard from him so peremptory a tone. "Your behaviour is not
what it ought to be; it is not wise or seemly; and you must alter it."
"So you have told me ever since we were married, all the four years
and odd months," she said, with a half-playful, half-mocking laugh.
"Of your behaviour to me I have told you so repeatedly and uselessly
that I have now dropped the subject for ever. What I would speak of is
your behaviour to young Cleveland. The world is beginning to notice
it; and, Adela, what is objectionable in it _shall_ be discontinued."
"There is nothing objectionable--except in your imagination."
Public-domain text, read in full here on John Shaqi.
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