There had been a Monsieur Damereau once upon a time. He had something
to do with the theatres, though not in the way of acting. But he grew
too fond of English porter and of fingering madame's profits. Madame
inveigled him into a journey to Paris with her; let him have his fling
a little while, and one fatal morning the poor deluded man woke to
find that he and his wife were two; she had obtained a separation from
him "de corps et de biens." Madame returned to England the same day,
and what became of him she neither knew nor cared; except that he
regularly drew the annuity she allowed to him, and which was to cease
if he ever reset his foot in the British Isles.
At the period of which we are writing, a great mania had seized upon
the gay London world. That other mania, admiration for Oscar
Dalrymple's wife, which chiefly concerned the men, was but a small and
private one; this was public and universal, and pertained to the
women. It was a love for dress. A wild, rampant love for extravagant
dress, not to be controlled within any limit. No fever yet known was
like unto it; and Madame Damereau blessed it heartily, and petted it,
and nursed it, and prayed--good Catholic that she was!--that it might
never abate. We who have come to a certain age (than which nothing was
ever more uncertain) can remember this, and the commotion it wrought.
It was not the ordinary passion for finery that obtains in the beau
monde, more or less, at all times, that is prevailing now, but
something worse--different. In truth it was a very madness; and it
ruined thousands. Few had fallen into this insidious snare as
completely as Mrs. Oscar Dalrymple. Bred up in the country, in
simplicity and comparative seclusion, London and its attractions had
burst upon her with irresistible power, dazzling her judgment, and
taking captive her senses. The passion for dress had been born with
Selina. No wonder, therefore--example is so contagious, rivalry so
rife in the human heart--that it had, with its means of gratification,
seized frantic hold of her; just as another passion had formerly
seized upon and destroyed her unfortunate brother. Not caring
particularly for her husband, the world's homage had become as second
life to her vain (and somewhat empty) mind; and of course she must
dress accordingly and go out at all times and seasons armed for
conquest. At breakfast gatherings; in afternoon visits; at teas, I was
going to say, but kettledrums had not then come into vogue; in the
parks, at dinners, at the play, and in the ball-room, she would be
conspicuous for the freshness and beauty of her toilette.
Does the reader remember a remark made by Miss Upton, of Court
Netherleigh? "Selina Dalrymple is more fond of dress than a
Frenchwoman. Want of sense and love of finery often go together."
Public-domain text, read in full here on John Shaqi.
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