Crime -- United States; Criminal justice, Administration of -- United States; Criminals -- United States
This was not at all to the liking of her lover, who thereupon took
matters into his own hands, by hiring another Mafiuso to remove the
photographer with a knife-thrust through the heart. In order that the
assassin might have a favorable opportunity to effect his object, the
assistant, who posed as a devoted friend of his employer, invited the
couple to a Christmas festival at his own apartment. Here they all spent
an animated and friendly evening together, drinking toasts and singing
Christmas carols, and toward midnight the party broke up with mutual
protestations of regard. If the writer remembers accurately, the
evidence was that the two men embraced and kissed each other. After
a series of farewells the photographer started home. It was a clear
moonlight night with the streets covered with a glistening fall of snow.
The wife, singing a song, walked arm in arm with her husband until they
came to a corner where a jutting wall cast a deep shadow across the
sidewalk. At this point she stepped a little ahead of him, and at the
same moment the hired assassin slipped up behind the victim and drove
his knife into his back. The wife shrieked. The husband staggered and
fell, and the "bravo" fled.
The police arrived, and so did an ambulance, which removed the
hysterical wife and the transfixed victim to a hospital. Luckily the
ambulance surgeon did not remove the knife, and his failure to do so
saved the life of the photographer, who in consequence practically lost
no blood and whose cortex was skilfully hooked up by a dextrous surgeon.
In a month he was out. In another the police had caught the would-be
murderer and he was soon convicted and sentenced to State prison, under
a contract with the assistant to be paid two hundred and fifty dollars
for each year he had to serve. Evidently the lover and his mistress
concluded that the photographer bore a charmed life, for they made no
further homicidal attempts.
Public-domain text, read in full here on John Shaqi.
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