Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
Happiness had greatly improved the artist, who was adored by his wife
and flattered by the world. His face had become almost round, and his
graceful figure did justice to the advantages which blood gives to men
of birth. His early fame, his important position, the delusive eulogies
that the world sheds on artists as lightly as we say, “How d’ye do?” or
discuss the weather, gave him that high sense of merit which degenerates
into sheer fatuity when talent wanes. The Cross of the Legion of Honor
was the crowning stamp of the great man he believed himself to be.
After three years of married life, Hortense was to her husband what a
dog is to its master; she watched his every movement with a look that
seemed a constant inquiry, her eyes were always on him, like those of
a miser on his treasure; her admiring abnegation was quite pathetic. In
her might be seen her mother’s spirit and teaching. Her beauty, as
great as ever, was poetically touched by the gentle shadow of concealed
melancholy.
On seeing Hortense come in, it struck Lisbeth that some long-suppressed
complaint was about to break through the thin veil of reticence.
Lisbeth, from the first days of the honeymoon, had been sure that this
couple had too small an income for so great a passion.
Hortense, as she embraced her mother, exchanged with her a few whispered
phrases, heart to heart, of which the mystery was betrayed to Lisbeth by
certain shakes of the head.
“Adeline, like me, must work for her living,” thought Cousin Betty. “She
shall be made to tell me what she will do! Those pretty fingers will
know at last, like mine, what it is to work because they must.”
At six o’clock the family party went in to dinner. A place was laid for
Hector.
“Leave it so,” said the Baroness to Mariette, “monsieur sometimes comes
in late.”
“Oh, my father will certainly come,” said Victorin to his mother. “He
promised me he would when we parted at the Chamber.”
Lisbeth, like a spider in the middle of its net, gloated over all these
countenances. Having known Victorin and Hortense from their birth, their
faces were to her like panes of glass, through which she could read
their young souls. Now, from certain stolen looks directed by Victorin
on his mother, she saw that some disaster was hanging over Adeline which
Victorin hesitated to reveal. The famous young lawyer had some covert
anxiety. His deep reverence for his mother was evident in the regret
with which he gazed at her.
Hortense was evidently absorbed in her own woes; for a fortnight past,
as Lisbeth knew, she had been suffering the first uneasiness which want
of money brings to honest souls, and to young wives on whom life
has hitherto smiled, and who conceal their alarms. Also Lisbeth had
immediately guessed that her mother had given her no money. Adeline’s
delicacy had brought her so low as to use the fallacious excuses that
necessity suggests to borrowers.
Public-domain text, read in full here on John Shaqi.
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