Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
On reaching the Rue du Dauphin, which had not yet been widened, Crevel
stopped before a door in a wall. It opened into a long corridor paved
with black-and-white marble, and serving as an entrance-hall, at the end
of which there was a flight of stairs and a doorkeeper’s lodge, lighted
from an inner courtyard, as is often the case in Paris. This courtyard,
which was shared with another house, was oddly divided into two unequal
portions. Crevel’s little house, for he owned it, had additional
rooms with a glass skylight, built out on to the adjoining plot, under
conditions that it should have no story added above the ground floor, so
that the structure was entirely hidden by the lodge and the projecting
mass of the staircase.
This back building had long served as a store-room, backshop, and
kitchen to one of the shops facing the street. Crevel had cut off
these three rooms from the rest of the ground floor, and Grindot had
transformed them into an inexpensive private residence. There were two
ways in--from the front, through the shop of a furniture-dealer, to whom
Crevel let it at a low price, and only from month to month, so as to be
able to get rid of him in case of his telling tales, and also through a
door in the wall of the passage, so ingeniously hidden as to be almost
invisible. The little apartment, comprising a dining-room, drawing-room,
and bedroom, all lighted from above, and standing partly on Crevel’s
ground and partly on his neighbor’s, was very difficult to find. With
the exception of the second-hand furniture-dealer, the tenants knew
nothing of the existence of this little paradise.
The doorkeeper, paid to keep Crevel’s secrets, was a capital cook. So
Monsieur le Maire could go in and out of his inexpensive retreat at any
hour of the night without any fear of being spied upon. By day, a lady,
dressed as Paris women dress to go shopping, and having a key, ran
no risk in coming to Crevel’s lodgings; she would stop to look at the
cheapened goods, ask the price, go into the shop, and come out again,
without exciting the smallest suspicion if any one should happen to meet
her.
As soon as Crevel had lighted the candles in the sitting-room, the Baron
was surprised at the elegance and refinement it displayed. The perfumer
had given the architect a free hand, and Grindot had done himself
credit by fittings in the Pompadour style, which had in fact cost sixty
thousand francs.
“What I want,” said Crevel to Grindot, “is that a duchess, if I brought
one there, should be surprised at it.”
He wanted to have a perfect Parisian Eden for his Eve, his “real lady,”
his Valerie, his duchess.
“There are two beds,” said Crevel to Hulot, showing him a sofa that
could be made wide enough by pulling out a drawer. “This is one, the
other is in the bedroom. We can both spend the night here.”
“Proof!” was all the Baron could say.
Public-domain text, read in full here on John Shaqi.
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