Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
Few men have in the course of their life known really the dreadful
sensation of going to their death; those who have returned from the
foot of the scaffold may be easily counted. But some have had a vivid
experience of it in dreams; they have gone through it all, to the
sensation of the knife at their throat, at the moment when waking
and daylight come to release them.--Well, the sensation to which the
Councillor of State was a victim at five in the morning in Crevel’s
handsome and elegant bed, was immeasurably worse than that of feeling
himself bound to the fatal block in the presence of ten thousand
spectators looking at you with twenty thousand sparks of fire.
Valerie was asleep in a graceful attitude. She was lovely, as a woman
is who is lovely enough to look so even in sleep. It is art invading
nature; in short, a living picture.
In his horizontal position the Baron’s eyes were but three feet above
the floor. His gaze, wandering idly, as that of a man who is just awake
and collecting his ideas, fell on a door painted with flowers by Jan, an
artist disdainful of fame. The Baron did not indeed see twenty thousand
flaming eyes, like the man condemned to death; he saw but one, of which
the shaft was really more piercing than the thousands on the Public
Square.
Now this sensation, far rarer in the midst of enjoyment even than
that of a man condemned to death, was one for which many a splenetic
Englishman would certainly pay a high price. The Baron lay there,
horizontal still, and literally bathed in cold sweat. He tried to doubt
the fact; but this murderous eye had a voice. A sound of whispering was
heard through the door.
“So long as it is nobody but Crevel playing a trick on me!” said the
Baron to himself, only too certain of an intruder in the temple.
The door was opened. The Majesty of the French Law, which in all
documents follows next to the King, became visible in the person of a
worthy little police-officer supported by a tall Justice of the Peace,
both shown in by Monsieur Marneffe. The police functionary, rooted in
shoes of which the straps were tied together with flapping bows, ended
at top in a yellow skull almost bare of hair, and a face betraying him
as a wide-awake, cheerful, and cunning dog, from whom Paris life had no
secrets. His eyes, though garnished with spectacles, pierced the
glasses with a keen mocking glance. The Justice of the Peace, a retired
attorney, and an old admirer of the fair sex, envied the delinquent.
“Pray excuse the strong measures required by our office, Monsieur
le Baron!” said the constable; “we are acting for the plaintiff.
The Justice of the Peace is here to authorize the visitation of the
premises.--I know who you are, and who the lady is who is accused.”
Valerie opened her astonished eyes, gave such a shriek as actresses use
to depict madness on the stage, writhed in convulsions on the bed, like
a witch of the Middle Ages in her sulphur-colored frock on a bed of
faggots.
Public-domain text, read in full here on John Shaqi.
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