Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
“What? you, poor old man?--On my honor, you look like a twenty-franc
piece that the Jews have sweated and the money-changers refuse.”
“Alas, yes,” replied Hulot; “I am snatched from the jaws of death! But
you are as lovely as ever. Will you be kind?”
“That depends,” said she; “everything is relative.”
“Listen,” said Hulot; “can you put me up for a few days in a servant’s
room under the roof? I have nothing--not a farthing, not a hope; no
food, no pension, no wife, no children, no roof over my head; without
honor, without courage, without a friend; and worse than all that,
liable to imprisonment for not meeting a bill.”
“Poor old fellow! you are without most things.--Are you also _sans
culotte_?”
“You laugh at me! I am done for,” cried the Baron. “And I counted on you
as Gourville did on Ninon.”
“And it was a ‘real lady,’ I am told who brought you to this,” said
Josepha. “Those precious sluts know how to pluck a goose even better
than we do!--Why, you are like a corpse that the crows have done with--I
can see daylight through!”
“Time is short, Josepha!”
“Come in, old boy, I am alone, as it happens, and my people don’t know
you. Send away your trap. Is it paid for?”
“Yes,” said the Baron, getting out with the help of Josepha’s arm.
“You may call yourself my father if you like,” said the singer, moved to
pity.
She made Hulot sit down in the splendid drawing-room where he had last
seen her.
“And is it the fact, old man,” she went on, “that you have killed your
brother and your uncle, ruined your family, mortgaged your children’s
house over and over again, and robbed the Government till in Africa, all
for your princess?”
Hulot sadly bent his head.
“Well, I admire that!” cried Josepha, starting up in her enthusiasm.
“It is a general flare-up! It is Sardanapalus! Splendid, thoroughly
complete! I may be a hussy, but I have a soul! I tell you, I like a
spendthrift, like you, crazy over a woman, a thousand times better than
those torpid, heartless bankers, who are supposed to be so good, and who
ruin no end of families with their rails--gold for them, and iron for
their gulls! You have only ruined those who belong to you, you have sold
no one but yourself; and then you have excuses, physical and moral.”
She struck a tragic attitude, and spouted:
“‘Tis Venus whose grasp never parts from her prey.
And there you are!” and she pirouetted on her toe.
Vice, Hulot found, could forgive him; vice smiled on him from the midst
of unbridled luxury. Here, as before a jury, the magnitude of a crime
was an extenuating circumstance. “And is your lady pretty at any rate?”
asked Josepha, trying as a preliminary act of charity, to divert Hulot’s
thoughts, for his depression grieved her.
“On my word, almost as pretty as you are,” said the Baron artfully.
“And monstrously droll? So I have been told. What does she do, I say? Is
she better fun than I am?”
“I don’t want to talk about her,” said Hulot.
Public-domain text, read in full here on John Shaqi.
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