Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
“Madame la Baronne, I am quite overwhelmed by the honor you do me in
coming here,” said the singer, resolved to play her part as a great lady
with a grace.
She pushed forward an easy-chair for the Baroness and seated herself on
a stool. She discerned the faded beauty of the woman before her, and was
filled with pity as she saw her shaken by the nervous palsy that, on
the least excitement, became convulsive. She could read at a glance the
saintly life described to her of old by Hulot and Crevel; and she not
only ceased to think of a contest with her, she humiliated herself
before a superiority she appreciated. The great artist could admire what
the courtesan laughed to scorn.
“Mademoiselle, despair brought me here. It reduces us to any means--”
A look in Josepha’s face made the Baroness feel that she had wounded
the woman from whom she hoped for so much, and she looked at her. Her
beseeching eyes extinguished the flash in Josepha’s; the singer smiled.
It was a wordless dialogue of pathetic eloquence.
“It is now two years and a half since Monsieur Hulot left his family,
and I do not know where to find him, though I know that he lives in
Paris,” said the Baroness with emotion. “A dream suggested to me the
idea--an absurd one perhaps--that you may have interested yourself in
Monsieur Hulot. If you could enable me to see him--oh! mademoiselle, I
would pray Heaven for you every day as long as I live in this world--”
Two large tears in the singer’s eyes told what her reply would be.
“Madame,” said she, “I have done you an injury without knowing you; but,
now that I have the happiness of seeing in you the most perfect virtue
on earth, believe me I am sensible of the extent of my fault; I repent
sincerely, and believe me, I will do all in my power to remedy it!”
She took Madame Hulot’s hand and before the lady could do anything to
hinder her, she kissed it respectfully, even humbling herself to bend
one knee. Then she rose, as proud as when she stood on the stage in the
part of _Mathilde_, and rang the bell.
“Go on horseback,” said she to the man-servant, “and kill the horse if
you must, to find little Bijou, Rue Saint-Maur-du-Temple, and bring her
here. Put her into a coach and pay the coachman to come at a gallop. Do
not lose a moment--or you lose your place.
“Madame,” she went on, coming back to the Baroness, and speaking to
her in respectful tones, “you must forgive me. As soon as the Duc
d’Herouville became my protector, I dismissed the Baron, having heard
that he was ruining his family for me. What more could I do? In an
actress’ career a protector is indispensable from the first day of her
appearance on the boards. Our salaries do not pay half our expenses; we
must have a temporary husband. I did not value Monsieur Hulot, who took
me away from a rich man, a conceited idiot. Old Crevel would undoubtedly
have married me--”
“So he told me,” said the Baroness, interrupting her.
Public-domain text, read in full here on John Shaqi.
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