Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
“She is the granddaughter of a master my husband formerly worked for,
who came to France in 1798, after the Revolution, by name Judici. Old
Judici, in Napoleon’s time, was one of the principal stove-fitters in
Paris; he died in 1819, leaving his son a fine fortune. But the younger
Judici wasted all his money on bad women; till, at last, he married one
who was sharper than the rest, and she had this poor little girl, who is
just turned fifteen.”
“And what is wrong with her?” asked Adeline, struck by the resemblance
between this Judici and her husband.
“Well, madame, this child, named Atala, ran away from her father, and
came to live close by here with an old German of eighty at least, named
Vyder, who does odd jobs for people who cannot read and write. Now,
if this old sinner, who bought the child of her mother, they say for
fifteen hundred francs, would but marry her, as he certainly has not
long to live, and as he is said to have some few thousand of francs a
year--well, the poor thing, who is a sweet little angel, would be out of
mischief, and above want, which must be the ruin of her.”
“Thank you very much for the information. I may do some good, but I must
act with caution.--Who is the old man?”
“Oh! madame, he is a good old fellow; he makes the child very happy, and
he has some sense too, for he left the part of town where the Judicis
live, as I believe, to snatch the child from her mother’s clutches. The
mother was jealous of her, and I dare say she thought she could make
money out of her beauty and make a _mademoiselle_ of the girl.
“Atala remembered us, and advised her gentleman to settle near us; and
as the good man sees how decent we are, he allows her to come here. But
get them married, madame, and you will do an action worthy of you. Once
married, the child will be independent and free from her mother, who
keeps an eye on her, and who, if she could make money by her, would like
to see her on the stage, or successful in the wicked life she meant her
to lead.”
“Why doesn’t the old man marry her?”
“There was no necessity for it, you see,” said the Italian. “And though
old Vyder is not a bad old fellow, I fancy he is sharp enough to wish
to remain the master, while if he once got married--why, the poor man is
afraid of the stone that hangs round every old man’s neck.”
“Could you send for the girl to come here?” said Madame Hulot. “I should
see her quietly, and find out what could be done--”
Public-domain text, read in full here on John Shaqi.
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