Didactic fiction; French fiction -- Translations into English; Paris (France) -- Social life and customs -- 19th century -- Fiction
Lisbeth, miserable already at seeing the family so prosperous, could not
survive this happy event. She grew so rapidly worse that Bianchon gave
her but a week to live, conquered at last in the long struggle in which
she had scored so many victories.
She kept the secret of her hatred even through a painful death from
pulmonary consumption. And, indeed, she had the supreme satisfaction
of seeing Adeline, Hortense, Hulot, Victorin, Steinbock, Celestine, and
their children standing in tears round her bed and mourning for her as
the angel of the family.
Baron Hulot, enjoying a course of solid food such as he had not known
for nearly three years, recovered flesh and strength, and was almost
himself again. This improvement was such a joy to Adeline that her
nervous trembling perceptibly diminished.
“She will be happy after all,” said Lisbeth to herself on the day before
she died, as she saw the veneration with which the Baron regarded his
wife, of whose sufferings he had heard from Hortense and Victorin.
And vindictiveness hastened Cousin Betty’s end. The family followed her,
weeping, to the grave.
The Baron and Baroness, having reached the age which looks for perfect
rest, gave up the handsome rooms on the first floor to the Count
and Countess Steinbock, and took those above. The Baron by his son’s
exertions found an official position in the management of a railroad,
in 1845, with a salary of six thousand francs, which, added to the six
thousand of his pension and the money left to him by Madame Crevel,
secured him an income of twenty-four thousand francs. Hortense having
enjoyed her independent income during the three years of separation from
Wenceslas, Victorin now invested the two hundred thousand francs he
had in trust, in his sister’s name and he allowed her twelve thousand
francs.
Wenceslas, as the husband of a rich woman, was not unfaithful, but he
was an idler; he could not make up his mind to begin any work, however
trifling. Once more he became the artist _in partibus_; he was popular
in society, and consulted by amateurs; in short, he became a critic,
like all the feeble folk who fall below their promise.
Thus each household, though living as one family, had its own fortune.
The Baroness, taught by bitter experience, left the management of
matters to her son, and the Baron was thus reduced to his salary, in
hope that the smallness of his income would prevent his relapsing into
mischief. And by some singular good fortune, on which neither the mother
nor the son had reckoned, Hulot seemed to have foresworn the fair sex.
His subdued behaviour, ascribed to the course of nature, so completely
reassured the family, that they enjoyed to the full his recovered
amiability and delightful qualities. He was unfailingly attentive to his
wife and children, escorted them to the play, reappeared in society, and
did the honors to his son’s house with exquisite grace. In short, this
reclaimed prodigal was the joy of his family.
Public-domain text, read in full here on John Shaqi.
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