England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction
Mrs. Asquith turned upon him with a gasp, having lost all power of
speech: and then the self-control of misery gave way. She dropped into
the nearest chair, and saved her brain and relieved her heart by tears.
“May I trust you?” she asked piteously, with her quivering lips; “Hetty,
my child--is in no danger?” as soon as she was able to speak.
“None that I can discover; but she is in a very alarming state. She has
had a fright. It seems to have paralysed her whole being. I hope
everything from your sudden appearance.”
“Paralysed!”
“I don’t mean in the ordinary sense of the word--turned her to stone, I
should say. Oh, Mrs. Asquith, I fear you will think we have ill
discharged the trust you gave us. Your daughter has been frightened out
of her senses, out of herself.”
Mary had risen from her seat to go to her Hetty; she stared at him for a
moment, and dropped feebly back again. “Do you mean that my child--my
child is--mad?” she said with horror, clasping her hands.
“Oh, no, no!” cried the young doctor. “Her mind, I hope, may not be
touched. She is in a state I can’t explain. She takes no notice of
anything. I thought it was catalepsy at first. You will be more
frightened when you see her than perhaps there is any need for
being----”
“Doctor--if you are the doctor--take me to her, take me to her! that is
better than explanation.”
“Bear with me a little, Mrs. Asquith. I want you to come in suddenly. I
want to try the shock of your appearance.”
“Take me to my child!” said Mary; “I cannot bear all these
preliminaries. I have a right to be with Hetty, wherever she is. Where
is she? Tell me what room she is in. I know my way.”
“Just one moment--one moment!” he said. He led the way to the room which
had been the morning-room in Mary’s day, the brightest room in the
house, looking out upon the flowers, and then left her at the door.
“Come in,” he said, “in five minutes; throw open the door; make what
noise you can--oh! forgive me--and let her see you fully. Don’t come
too quick. It is for her sake. If she knows you, all will go well.”
“If she knows me!” cried poor Mary. These terrible words subdued her in
her impatience and almost anger. She stood at the door counting the time
by the beatings of her heart. Then she pushed it open, as he told her.
Hetty’s chair had been turned round to face the door, and she sat in it,
her pale hands folded in her lap, her face, like marble, against the
white pillow, her eyes looking steadily before her, with an
extraordinary abstract gaze. Mary stood for a moment, herself paralysed
by that strange sight, clasping her hands, with a cry of trouble and
consternation. Then she flew forward and flung herself on her knees
before this marble image of her child. “Hetty! Hetty! Speak to me,” she
cried, clasping her arms round the inanimate figure. “Hetty!” Then, with
a terrible cry, “Don’t you know your mother? don’t you know your mother,
my darling, my poor child?”
Mary perceived none of the people behind,
Public-domain text, read in full here on John Shaqi.
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