England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction
And then she relapsed into a spasm of weeping when the inevitable moment
came, and the train got into motion. Poor little Hetty! They would all
go back, go home, and the business of every day would go on as before,
while she was flying away into the unknown, with that clang and wild
tumult of sound. Hetty thought she had never realised what a railway
journey was before, the clang as of giants’ hoofs going, the rush and
sweep through the air, as if impelled by some horrible force that could
not be appealed to to stop, or made to understand that you wanted to get
out, to get out and go back again! This was the first thought of her
little scared soul. Horses with a man driving could be made to stop,
but this engine never: and what if it should go on, on, to the end of
the world? It seemed so likely, so probable that it might do so, in the
first dreadful sense of the unescapable which overwhelmed the girl’s
mind. Of course when she came to herself she was a quite reasonable
little girl, and knew that this could not be so, and that, as exactly as
is in human possibility, the train would arrive at Horton station, where
she was bound, after stopping at many other stations on the way. And
presently Hetty dried her eyes, and began to look at the country; and
things went a little better with her, until she had another fit of panic
and horror at the end of her journey, when she stepped out, trembling,
all alone, and saw, half with terror, half with pride, the brougham
waiting which was to carry her, behind two sleek and shining horses, in
all the glory of a “private carriage” (a thing Hetty knew nothing of),
to Horton. She had been driven to the station, she was aware, in the
Horton carriage when she went away, a baby, with her parents, and this
knowledge--for it was not a recollection--made everything seem all the
stranger. It was her mother’s home she was going to, and yet such a
strange, unknown place.
Public-domain text, read in full here on John Shaqi.
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