France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
Are the hatreds and jealousies of democracy incomprehensible after this?
Ambitious and continually thwarted, he could not reproach himself.
He had once already tried his fortune by inventing a purgative pill,
something like Morrison’s, and intrusted the business operations to an
old hospital chum, a house-student who afterwards took a retail drug
business; but, unluckily, the druggist, smitten with the charms of a
ballet-dancer of the Ambigu-Comique, found himself at length in the
bankruptcy court; and as the patent had been taken out in his name,
his partner was literally without a remedy, and the important discovery
enriched the purchaser of the business. The sometime house-student set
sail for Mexico, that land of gold, taking poor Poulain’s little savings
with him; and, to add insult to injury, the opera-dancer treated him as
an extortioner when he applied to her for his money.
Not a single rich patient had come to him since he had the luck to cure
old M. Pillerault. Poulain made his rounds on foot, scouring the Marais
like a lean cat, and obtained from two to forty sous out of a score
of visits. The paying patient was a phenomenon about as rare as that
anomalous fowl known as a “white blackbird” in all sublunary regions.
The briefless barrister, the doctor without a patient, are pre-eminently
the two types of a decorous despair peculiar to this city of Paris;
it is mute, dull despair in human form, dressed in a black coat and
trousers with shining seams that recall the zinc on an attic roof, a
glistening satin waistcoat, a hat preserved like a relic, a pair of old
gloves, and a cotton shirt. The man is the incarnation of a melancholy
poem, sombre as the secrets of the Conciergerie. Other kinds of poverty,
the poverty of the artist--actor, painter, musician, or poet--are
relieved and lightened by the artist’s joviality, the reckless gaiety
of the Bohemian border country--the first stage of the journey to the
Thebaid of genius. But these two black-coated professions that go afoot
through the street are brought continually in contact with disease and
dishonor; they see nothing of human nature but its sores; in the
forlorn first stages and beginnings of their career they eye competitors
suspiciously and defiantly; concentrated dislike and ambition flashes
out in glances like the breaking forth of hidden flames. Let two
schoolfellows meet after twenty years, the rich man will avoid the poor;
he does not recognize him, he is afraid even to glance into the gulf
which Fate has set between him and the friend of other years. The one
has been borne through life on the mettlesome steed called Fortune, or
wafted on the golden clouds of success; the other has been making his
way in underground Paris through the sewers, and bears the marks of his
career upon him. How many a chum of old days turned aside at the sight
of the doctor’s greatcoat and waistcoat!
Public-domain text, read in full here on John Shaqi.
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