France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
The room was a complete picture of a third-rate solicitor’s office; with
the stained wooden cases, the letter-files so old that they had grown
beards (in ecclesiastical language), the red tape dangling limp and
dejected, the pasteboard boxes covered with traces of the gambols of
mice, the dirty floor, the ceiling tawny with smoke. A frugal allowance
of wood was smouldering on a couple of fire-dogs on the hearth. And on
the chimney-piece above stood a foggy mirror and a modern clock with
an inlaid wooden case; Fraisier had picked it up at an execution sale,
together with the tawdry imitation rococo candlesticks, with the zinc
beneath showing through the lacquer in several places.
M. Fraisier was small, thin, and unwholesome looking; his red face,
covered with an eruption, told of tainted blood; and he had, moreover, a
trick of continually scratching his right arm. A wig pushed to the back
of his head displayed a brick-colored cranium of ominous conformation.
This person rose from a cane-seated armchair, in which he sat on a green
leather cushion, assumed an agreeable expression, and brought forward a
chair.
“Mme. Cibot, I believe?” queried he, in dulcet tones.
“Yes, sir,” answered the portress. She had lost her habitual assurance.
Something in the tones of a voice which strongly resembled the sounds of
the little door-bell, something in a glance even sharper than the sharp
green eyes of her future legal adviser, scared Mme. Cibot. Fraisier’s
presence so pervaded the room, that any one might have thought there
was pestilence in the air; and in a flash Mme. Cibot understood why Mme.
Florimond had not become Mme. Fraisier.
“Poulain told me about you, my dear madame,” said the lawyer, in the
unnatural fashion commonly described by the words “mincing tones”; tones
sharp, thin, and grating as verjuice, in spite of all his efforts.
Arrived at this point, he tried to draw the skirts of his dressing-gown
over a pair of angular knees encased in threadbare felt. The robe was
an ancient printed cotton garment, lined with wadding which took the
liberty of protruding itself through various slits in it here and there;
the weight of this lining had pulled the skirts aside, disclosing a
dingy-hued flannel waistcoat beneath. With something of a coxcomb’s
manner, Fraisier fastened this refractory article of dress, tightening
the girdle to define his reedy figure; then with a blow of the tongs,
he effected a reconciliation between two burning brands that had long
avoided one another, like brothers after a family quarrel. A sudden
bright idea struck him, and he rose from his chair.
“Mme. Sauvage!” called he.
“Well?”
“I am not at home to anybody!”
“Eh! bless your life, there’s no need to say that!”
“She is my old nurse,” the lawyer said in some confusion.
“And she has not recovered her figure yet,” remarked the heroine of the
Halles.
Fraisier laughed, and drew the bolt lest his housekeeper should
interrupt Mme. Cibot’s confidences.
Public-domain text, read in full here on John Shaqi.
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